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Troy Brown - Concrete Jungle - Blacksoul Records - Deep House

Troy Brown - Concrete Jungle - Blacksoul Records - Deep House
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Track Listing

Upside
A1 Move 2 Da Hype Stuff
A2 Last Dance
Downside
B1 Got 2 Be Free
B2 All I Need


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Troy Brown
Title Concrete Jungle
Label Blacksoul Records
Catalogue BLKS-005
Format Vinyl 12 Inch
Released 1996
Genre Deep House

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Other Titles by Troy Brown

• Analog Frontier E.P. • Feel Allright E.P. • Feel Allright E.P. • Feel Allright E.P. (Remix) • New Dimensions EP • Raw Deal EP • Wonders&Signs E.P. •


Some Other Artists in the Deep House Genre

• Theo Parrish • Rinôçérôse • Precious • D*Note • Chanelle • Xpansions • The Everest Project • Criminal Element Orchestra • Stylophonic • Johnson • Kenny Thomas • Take Aim • Tiefschwarz • Cricco Castelli • Unknown Artist • Geoffrey Williams • X-Press 2 • People Movers, The • Terri Walker • Boogie Boy • Julius Papp • Si*Sé • Baby Ford • Mandalay • Spensane • Andre Harris • Cosa Nostra • Chubby Chunks • Linus Loves • Ron Carroll • Graham Jerimia • Sharam Jey & Nick K • Leeman • Shaboom • Ashley Beedle • Dina Carroll • Inner City • LHK • Kosheen • Lacarno & Burns •

More from Deep House >>

Some Other Artists on the Blacksoul Records Label

• Bushmen, The • Sounds Of Soul •

More from Blacksoul Records >>

Information on the Deep House Genre

Deep house is a style of house music which fuses elements of Chicago house, disco, 80's soul, jazz-funk and Detroit techno. The Jazz influences of deep house are most frequently brought out by using more complex chords than simple triads (7ths, 9ths, 13ths, suspensions, alterations) which are held for many bars, which gives the tracks a slightly dissonant feel. The Disco music sound is a heavy influence in Deep House. The use of vocals is also more common in deep house than in many other forms of house music. Sonic qualities include soulful vocals, slow and concentrated dissonant melodies, smooth, stylish, and chic demeanor.

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