Richie Hawtin - Decks, EFX & 909 - M_nus - Techno
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Out of Stock |
Track ListingA1-1 Grain B2A1-2 Santos Rodriguez Road To Rio EP B2 A1-3 Grain B1 A1-4 Santos Rodriguez Road To Rio EP A2 A1-5 Grain A1 A1-6 Richard Harvey 002-A B1 AA1-1 Richie Hawtin Orange/Minus 1 AA1-2 Richie Hawtin Orange/Minus 2 AA1-3 Richie Hawtin Minus/Orange 2 AA1-4 Nitzer Ebb Let Your Body Learn AA1-5 Richie Hawtin Minus/Orange 1 AA1-6 Intermission (2) What The Hell Was That? AA2-1 Heiko Laux Five AA2-2 Baby Ford & Eon Dead Eye AA2-3 Savvas Ysatis Club Soda AA2-4 Stewart Walker It's Process Not Substance Media Condition » Mint (M) Sleeve Condition » Mint (M) |
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Artist | Richie Hawtin | ||
Title | Decks, EFX & 909 | ||
Label | M_nus | ||
Catalogue | MINUS4 | ||
Format | Vinyl Compilation | ||
Released | 1999 | ||
Genre | Techno |
Some Other Artists in the Techno Genre• 808 State • DJ Dan • The Prodigy • The Shamen • Underworld • Moby • Eskimos & Egypt • The Chemical Brothers • Sven Väth • Slam • Jbs • Luke Slater • Dave Clarke • WestBam • Format • Roel Butzen • Subterfuge • Sapiano • Bob Brown • Beat In Time • Dynamite • Orbital • Kerosene • Cristian Vogel • Tony Crooks • Carl Cox • Subculture (4) • Mark Summers • Ken Ishi • Scotti Deep • David Roiseux • Stacey Pullen • Sound Exciters • Technomania • DJ Dan & Needle Damage • Lost • Donato Capozzi • Morpheus • Mike Dearborn • Access 58 • |
Some Other Artists on the M_nus Label• Fabrizio Maurizi • Niederflur • Robotman & F.U.S.E. • |
Information on the Techno Genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
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