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Intelligent Hoodlum - Back To Reality - A&M Records - Dub

Intelligent Hoodlum - Back To Reality - A&M Records - Dub
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Track Listing

A1 Back To Reality (Drum And Bass Mix)
A2 Back To Reality (Back To Basics)
B1 Back To Reality (Ragamuffin Version)
B2 Back To Reality (Ragadub)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Intelligent Hoodlum
Title Back To Reality
Label A&M Records
Catalogue AMY 598
Format Vinyl 12 Inch
Released 1990
Genre Dub

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Other Titles by Intelligent Hoodlum

Back To RealityIntelligent HoodlumIntelligent Hoodlum


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemTackheadSugar BulletStock, Aitken & WatermanMajestic 12MonyakaMovement 98Border CrossingBeats InternationalConcrete NationOui 3F.A.B.Zeke ManyikaGregory IsaacsFaze ActionNew KingdomCashmereLarry PeePlatinum Radics & Governor TiggyRed DragonKieser.VeltenApollo 440LazyboyBomb The Bass & CarltonFrantic LanguageOosh Goat DanceThe ConceptSly & RobbieTerranovaRaz OharaBad Street BoyDJ ShadowThe Whitfield ExpressDelaney's Rhythm SectionThe MaytalsCheshire CatCarey JohnsonAudiowebWalkner.Möstl

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Some Other Artists on the A&M Records Label

Joan ArmatradingRick WakemanJeffrey OsborneL.A. MixSqueeze Black Rita CoolidgeAtlantic StarrChris de BurghHerb Alpert & The Tijuana BrassStingCarpentersElkie BrooksBrothers JohnsonPolice, TheCe Ce PenistonIoniVesta WilliamsThe PoliceBarry WhiteRodeo JonesJanet JacksonQuincy JonesDina CarrollQuivverSam BrownJazzi PGallagher & LylePeter FramptonDel AmitriBad Boys Inc.Jim DiamondMilltown BrothersPablo CruiseLance EllingtonConvertAlessiCudRosie VelaBrenda Russell

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.