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DJ Rush - Spitball EP - Pro-Jex - Techno

DJ Rush - Spitball EP - Pro-Jex - Techno
Out of Stock

Track Listing

A1 Spitball
A2 Freaks On Hubbard
B1 8036 Berlin Mix
B2 Snare Happy
B3 Industrial


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist DJ Rush
Title Spitball EP
Label Pro-Jex
Catalogue PROX008
Format Vinyl 12 Inch
Released 1998
Genre Techno

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Other Titles by DJ Rush

The Vicious E.P.Drum Major EPMotherfucking BassThe Breaks EPThe Vicious E.P.


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Bob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the Pro-Jex Label

Organ GrindaFrankie BonesCo-FusionDJ FunkMikkel BetzerDJ M.H.Digital PrimateCharlie Hall

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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