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Barabas & OD1 - Feel The Beat - Phoenix Uprising - Techno

Barabas & OD1 - Feel The Beat - Phoenix Uprising - Techno
Price £6.00

Track Listing

A Feel The Beat (Check This Out)
AA Throw Your Hands (In The Air)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Barabas & OD1
Title Feel The Beat
Label Phoenix Uprising
Catalogue PHUX 20
Format Vinyl 12 Inch
Released 1999
Genre Techno

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Other Titles by Barabas & OD1

DeeperDoin' DrugsLost. Totally Lost It (Humanoid)Bass DropDoin' DrugsGhettoblasterJack Of KlubzJack Of KlubzLost. Totally Lost It (Humanoid)


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808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Bob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the Phoenix Uprising Label

Jon The DentistPandora's BoxK90Backstage WorksBarabas&OD1SaturnShane Morris & Jon The DentistMicroWorldNet AddictHigh School Drop-OutsOD1Jon The Dentist & Ollie JayeShane Morris vs Jon The DentistTom Harding & Jon The DentistFriends Of StanRepulsorSection XBleep & BoosterBleep&BoosterBarabas & OD1 & Jon The Dentist & Ollie JayeEnergy 52Equator

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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