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Tiga - Pleasure From The Bass - Different - Deep House

Tiga - Pleasure From The Bass - Different - Deep House
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Track Listing

A1 Pleasure From The Bass (12Inch Version) (6:03)
B1 Pleasure From The Bass (Joakim Remix) (7:52)
B2 Pleasure From The Dub (6:03)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Tiga
Title Pleasure From The Bass
Label Different
Catalogue DIFB 1028
Format Vinyl 12 Inch
Released 2004
Genre Deep House

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Other Titles by Tiga

Hot In HerreHot In Herre3 WeeksBurning DownDJ-KicksHot In HerreHot In HerreHot In HerreLouder Than A BombMove My BodyYou Gonna Want Me (Remixes)You Gonna Want Me (Remixes)


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Theo ParrishPreciousRinôçérôseD*NoteXpansionsChanelleThe Everest ProjectJohnsonCriminal Element OrchestraStylophonicTerri WalkerGeoffrey WilliamsJulius PappSpensaneBoogie BoyUnknown ArtistEs ParadisX-Press 2TiefschwarzSi*SéPeople Movers, TheTake AimCricco CastelliAndre HarrisMandalayEternal SunGraham JerimiaSharam Jey & Nick KFrou FrouInner CityChubby ChunksDina CarrollAshley BeedleAfro-MystikLinus LovesShaboomCosa Nostra Ronnie RichardsKosheenRon Carroll

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Some Other Artists on the Different Label

Super Discount & Minos Pour Main Basse (Sur La Ville)TDRRichard AustrianEtienne De CrécySuperdiscount & Minos Pour Main Basse Sur La VilleVitalicMSTRKRFTSuperdiscount & Minos Pour Main Basse (Sur La Ville)Agoria

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Information on the Deep House Genre

Deep house is a style of house music which fuses elements of Chicago house, disco, 80's soul, jazz-funk and Detroit techno. The Jazz influences of deep house are most frequently brought out by using more complex chords than simple triads (7ths, 9ths, 13ths, suspensions, alterations) which are held for many bars, which gives the tracks a slightly dissonant feel. The Disco music sound is a heavy influence in Deep House. The use of vocals is also more common in deep house than in many other forms of house music. Sonic qualities include soulful vocals, slow and concentrated dissonant melodies, smooth, stylish, and chic demeanor.

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