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Masquerade - One Nation - Streetwave - Old Skool Electro

Masquerade - One Nation - Streetwave - Old Skool Electro
Price £5.00

Track Listing

A One Nation (Street Mix Radio Edit)
B One Nation (Radio Edit)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Masquerade
Title One Nation
Label Streetwave
Catalogue KHAN 59
Format Vinyl 7 Inch
Released 1985
Genre Old Skool Electro

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Other Titles by Masquerade

Everybody SayOne NationStreetsounds Real Thing MixOne NationOne NationSet It Off Set It Off Streetsounds Real Thing Mix(Solution To) The ProblemOne NationSet It Off


Some Other Artists in the Old Skool Electro Genre

Paul HardcastleBreak MachineMantronixMalcolm McLarenJonzun Crew, TheMan ParrishArthur Baker And The Backbeat Disciples & Leee John & Tata VegaFreeez & John RoccaJonzun Crew, The & Michael JonzunMantronix & Wondress HutchinsonKartoon Krew, TheDSMSugarhill GangRedhead Kingpin And The FBIHarold FaltermeyerNewcleusGrandmaster FlashChaka KhanPlanet PatrolSymbolic Three & DJ Dr. ShockOllie And JerryAuto Da FéRockers Revenge & Donnie CalvinWhistleMac Mac & The Jammalott KingdomElectric BoogiemenMalcolm McLaren & World\'s Famous Supreme TeamEscalatorAfrika Bambaataa & FamilyClimie FisherBeatmasterRock Steady Crew, TheCompany BMirage Kid 'N' PlayMC Shy DKurtis BlowPrince Charles & City BeatWest Street MobYellow Magic Orchestra

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Some Other Artists on the Streetwave Label

Rose RoyceAlton EdwardsBT ExpressIntruders, TheC.O.D.Hardrock Soul MovementDC AllstarsRoyalle DeliteFaze OneCarol JianiWish Steady BHardrock Soul Movement & Afrika BambaataaHashimFunk DeluxeFission Just-IceB.T. ExpressDoug E. FreshHi-TensionAleemThe Real Roxanne & UTFORichie Weeks & Centrefold Viola WillsDemocratic ThreeWickett RichReal Roxanne, The & UTFOArnie's LoveUTFO & Real Roxanne, TheXenaCarl AndersonRoz RyanMasquerade & Dina CarrollFonda RaeCheryl LynnEighties LadiesBlackbyrds, TheIngramDivine SoundsAB's

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Information on the Old Skool Electro Genre

Old Skool Electro (sometimes called electronic hip hop, electronic rap or robot hip hop) is the fusion of electro, electronica, or techno with hip hop. The electro-hop movement had come about after seeing the underground electro movement on the East Coast gain popularity with artists such as Mantronix, Man Parrish, Jonzun Crew, Newcleus, Planet Patrol etc. The electro sound was pioneered by Kraftwerk and was further developed by Zulu Nation leader and hip-hop godfather Afrika Bambaataa. This style of hip-hop had its huge underground fanbase based primarily in Southern California. An eastern strand of electro was born from DJ Arthur and Diesel D in late 2006. They hold a strong underground following in northern Georgia and eastern Tennessee; it likely developed independently of other influences, such as Crunk and Snap music.

Following the decline of disco music in the late 1970s, various electro-funk artists such as Zapp & Roger began experimenting with talk boxes and the use of heavier, more distinctive beats.

In 1982, Bronx based producer Afrika Bambaataa released the seminal track "Planet Rock", which contained elements of Kraftwerk's Trans-Europe Express and "Numbers" (from Kraftwerk's Computer World album). "Planet Rock" is widely regarded as a turning point in the electro genre.

In 1983, Hashim created the influential electro funk tune "Al-Naafiysh (The Soul)" which became Cutting Record's first release in November 1983. At the time Hashim was influenced by Man Parrish's "Hip Hop, Be Bop", Thomas Dolby's "She Blinded Me With Science" and Afrika Bambaataa's "Planet Rock" . Also in 1983, Herbie Hancock, in collaboration with Grand Mixer D.ST, released the hit single "Rockit".

Bambaataa and groups like Planet Patrol, Jonzun Crew, Mantronix, Newcleus and Juan Atkins' Detroit-based group Cybotron went on to influence the genres of Detroit techno, ghettotech, breakbeat, drum and bass and electroclash. Early producers in the electro genre (notably Arthur Baker, John Robie and Shep Pettibone) featured prominently in the Latin Freestyle (or simply "Freestyle") movement. By the late 1980s, the genre had parted from its initial funk influences. Baker and Pettibone enjoyed robust careers well into the house era, and both eluded the "genre trap" to successfully produce mainstream artists.

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