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Morrissey - Viva Hate - His Master's Voice - Indie

Morrissey - Viva Hate - His Master's Voice - Indie
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Track Listing

A1 Alsatian Cousin (3:12)
A2 Little Man, What Now? (1:48)
A3 Everyday Is Like Sunday (3:34)
A4 Bengali In Platforms (3:53)
A5 Angel, Angel, Down We Go Together (1:38)
A6 Late Night, Maudlin Street (7:40)
B1 Suedehead (3:56)
B2 Break Up The Family (3:53)
B3 The Ordinary Boys (3:09)
B4 I Don't Mind If You Forget Me (3:16)
B5 Dial-A-Cliché (2:15)
B6 Margaret On The Guillotine (3:53)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Morrissey
Title Viva Hate
Label His Master's Voice
Catalogue CSD 3787
Format Vinyl Album
Released 1988
Genre Indie

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Other Titles by Morrissey

Bona DragGreatest HitsRingleader Of The TormentorsYou Are The QuarryBeethoven Was DeafBona DragBoxersHold On To Your FriendsInteresting DrugPosing In ParisSuedeheadSuedeheadThe Boy RacerThe Last Of The Famous International PlayboysThe Parlophone Singles '88-'95


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The FarmThousand Yard StareBedazzledCarter The Unstoppable Sex MachineThe Soup DragonsWonder Stuff, TheJesus JonesOasisCUDNed's Atomic DustbinFive ThirtySenseless ThingsTerrorvisionLivingstoneSugarcubes, TheNatural LifeBlurInspiral CarpetsSoup Dragons, TheHis Latest FlameThe HousemartinsThe MissionIan BrownFaith BrothersNirvanaBirdlandThe Wonder StuffGay DadThat Petrol EmotionViolets, TheEatPop Will Eat ItselfMagic Numbers, TheDaytona Test IciclesFishmonkeymanHappy MondaysDeparture, TheLevitation Radiohead

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Some Other Artists on the His Master's Voice Label

Andrew Lloyd WebberOrchestra Of The Royal Opera House, Covent Garden & John LanchberyJoe Loss & His OrchestraEydie GorméSir Simon Rattle & London SinfoniettaFats Waller & His RhythmOrchestra Of The Royal Opera House & John LanchberySauter-Finegan OrchestraJohnny Kidd & The PiratesMelina Mercouri & Don Costa OrchestraWinston ChurchillIvor NovelloGlenn Miller And His OrchestraPaul RobesonMel Tormé & Marty Paich OrchestraGyorgy CziffraFranz Liszt & Gyorgy CziffraNikolai Rimsky-Korsakov, Paul Kletzki & Philharmonia OrchestraGeorg Friedrich Händel, Sir Charles Mackerras, English Chamber Orchestra & The Ambrosian SingersJean Sibelius, Sir John Barbirolli & Hallé OrchestraSir Edward Elgar, Margaret Marshall, Helen Watts, Robin Leggate, John Shirley-Quirk & Royal Liverpool Philharmonic Choir Ray Charles And His OrchestraOrchestra Of Royal Opera Hse, Covent Garden & John LanchberyJoseph Haydn, Sir Thomas Beecham & The Royal Philharmonic OrchestraManfred MannVera Gray & Desmond BriscoeMeade Lux LewisJohn Ogdon & Philharmonia OrchestraScott JoplinSarah Brightman, Paul Miles-Kingston & Placido DomingoGeorges Bizet & Risë Stevens & Jan Peerce & Licia Albanese & Robert Merrill & Fritz ReinerEartha KittItzhak Perlman & André PrevinRay CharlesUncle MacRavindra JainCamille Saint-Saëns & Gabriel Fauré & Henry Litolff Beethoven & New Philharmonia OrchestraLouis Armstrong Orchestra And His All-StarsLloyd Price

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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