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Smiths, The - The Hand That Rocks The Cradle - Trash Records - Indie

Smiths, The - The Hand That Rocks The Cradle - Trash Records  - Indie
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Track Listing

A1 Reel Around The Fountain
A2 You've Got Everything Now
A3 Miserable Lie
A4 These Things Take Time
A5 Wonderful Woman
A6 Handsome Devil
B1 Hand In Glove
B2 What Difference Does It Make?
B3 I Don't Owe You Anything
B4 Suffer Little Children
B5 Pretty Girls Make Graves


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Smiths, The
Title The Hand That Rocks The Cradle
Label Trash Records
Catalogue TR7
Format Vinyl Album
Released
Genre Indie

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Other Titles by Smiths, The

Best ...IIBest... IGirlfriend In A ComaHatful Of HollowHeaven Knows I'm Miserable NowHow Soon Is Now?Louder Than BombsLouder Than BombsMeat Is MurderMeat Is Murder - new sealed 180g vinylRankRank - new inc posterStrangeways, Here We ComeThe Queen Is DeadThe Smiths


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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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