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Da Hool - Hypochonda - Kosmo Records - Techno

Da Hool - Hypochonda - Kosmo Records - Techno
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Track Listing

A Hypochonda (New Club Mix) (7:00)
B Hypochonda (Harte Kerle Mix) (8:00)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Da Hool
Title Hypochonda
Label Kosmo Records
Catalogue KOS 015 - 12
Format Vinyl 12 Inch
Released 1998
Genre Techno

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Other Titles by Da Hool

Bora BoraBora BoraBora BoraEichelrückHere Comes HypochondaMama SweetMeet Her At The Love ParadeBora BoraBora BoraBora BoraBora BoraBora BoraBora BoraEichelrück


Some Other Artists in the Techno Genre

808 StateDJ DanThe ShamenThe ProdigyUnderworldEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterDave ClarkeJbsSlamWestBamFormatKen IshiSubculture (4)SapianoDavid RoiseuxBeat In TimeScotti DeepOrbitalKerosene Cristian VogelSubterfugeRoel ButzenSound ExcitersDynamite Bob BrownCarl CoxTony CrooksMark SummersStacey PullenMike DearbornMorpheus DJ Dan & Needle DamageLostDonato CapozziTechnomaniaAccess 58

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Some Other Artists on the Kosmo Records Label

Phil FuldnerNovy vs. EniacSmokin' Vibes & Deborah WoodsonOliver MoldanSmokin' Vibes & Deborah WoodsonTom NovyTom Novy & Virginia NascimentoKarotteNalin I.N.C.TomcraftSmokin' Vibes feat Deborah WoodsDJ Sandy & HousetrapFreefallNiels Van GoghNalin Inc.MoguaiUnknown ArtistB.B.E.Studio 45 & Joe & Jessey

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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