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Malcolm McLaren & World's Famous Supreme Team - Would Ya Like More Scratchin - Charisma - Electro

Malcolm McLaren & World's Famous Supreme Team - Would Ya Like More Scratchin - Charisma - Electro
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Track Listing

A1 D'Ya Like Scratchin'? (Special Version)
A2 She's Looking Like A Hobo
A3 Buffalo Gals (D. J. Cut - Special Stereo Mix)
B1 World's Famous (Radio I. D.)
B2 Hobo Scratch
B3 Would Ya Like More Scratchin' (New York City Re-Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Malcolm McLaren & World's Famous Supreme Team
Title Would Ya Like More Scratchin
Label Charisma
Catalogue CLAM 1
Format Vinyl 12 Inch
Released 1984
Genre Electro

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Other Titles by Malcolm McLaren & World's Famous Supreme Team

Buffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixOpera HouseBuffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixBuffalo Gals - Special Stereo Scratch MixOperaa House - Aria On AirOperaa House - Aria On AirScratchin'


Some Other Artists in the Electro Genre

Paul HardcastleMantronixKraftwerkWhodiniLovebug StarskiMasqueradeTotal ContrastInfadelsBreak MachineStrafeMalcolm McLaren & The McLarenettesBreekout Krew, TheDSMThe Kartoon KrewTriscoNejaShannonDerek BThemrocMirwaisNeville BrothersA Number Of NamesHarold FaltermeyerVarious Whodini / Kool Moe Dee / DJ Jazzy Jeff /Steady BErik TravisMatthew EHerbie HancockFreeezMankeyTiefschwarzBiddu OrchestraMidnight StarWhoa!Princess SuperstarBasic SoundLes Rythmes DigitalesBrooklyn, Bronx&Queens Band, TheDC AllstarsSoft CellRob Dougan

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Some Other Artists on the Charisma Label

Malcolm McLarenThe Rock Steady CrewNia PeeplesKeep It DarkJulian LennonMalcolm McLaren & The McLarenettesGenesisLindisfarneClifford T. WardPatrick MorazSteve HackettBill LoveladyRick WakemanThe Sinfonia Of London & The Ambrosian SingersPeter GabrielMonty PythonPhilip Franz JonesTony BanksBarry Humphries & Dame Edna EverageThe NiceJack The Lad24 Hours Chris White Brand X Marc Kinchen (MK) & AlanaMalcolm McLaren & McLarenettes, TheOppositionMalcolm McLaren & World\'s Famous Supreme Team2 In A RoomHawkwindMalcolm McLaren & World\\\'s Famous Supreme TeamWorld's Famous Supreme TeamEve GallagherMalcolm McLaren And World's Famous Supreme Team, The*Pat&MickSize 9Brand X (3)Right Said Fred

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Information on the Electro Genre

Electro (electro-funk, dance or electro-boogie) is a genre of electronic music directly influenced by the use of TR-808 and funk records. Records in the genre typically have electronic sounds and some vocals are delivered in a deadpan, mechanical manner, often through a vocoder or other electronic distortion.

From its origins, the definition of the electro sound is the use of drum machines as the rhythmic base of a track; however as the style has evolved, and with the advent of computer usage in electronic music, the use of drum machines has become less and less practical and widespread. Electro drum patterns tend to be electronic emulations of breakbeats, with kick drums, and usually a snare or clap accenting the downbeat. The difference between electro drumbeats and breakbeats (or breaks) is that electro tends to be more mechanical, while breakbeats tend to have more of a human-like feel, like that of a live drummer. The definition however is somewhat ambiguous in nature due to the various use of the term.


Staccato, percussive drumbeats tend to dominate electro; with beats once mostly provided by the Roland TR-808 drum machine, the advent of computers in electronic music has outdated this old school method and are now used by the majority of electro producers the world over. The TR-808, created in 1980, has an immediately recognizable sound, and through the use of samples remains somewhat popular in electro and other genres to the present day. Other electro instrumentation is generally all-electronic, favoring analog synthesis, bass lines, sequenced or arpeggiated synthetic riffs, and atonal sound effects all created with synthesizers. Heavy use of effects such as reverbs, delays, chorus or phasers along with eerie synthetic ensemble strings or pad sounds emphasize the common science fiction or futuristic theme of the lyrics and/or music. Most electro is instrumental, but a common element is vocals processed through a vocoder. Additionally, speech synthesis may be used to create robotic or mechanical lyrical content. Some earlier electro features rapping, but that lyrical style has become less popular in the genre from the 1990s onward.


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