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Stone Roses, The - What The World Is Waiting For / Fools Gold -(some ring wear on sleeve) - Silvertone Records - Indie

Stone Roses, The - What The World Is Waiting For / Fools Gold -(some ring wear on sleeve) - Silvertone Records - Indie
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Track Listing

A Fools Gold 9.53 (9:53)
AA What The World Is Waiting For (3:55)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Stone Roses, The
Title What The World Is Waiting For / Fools Gold -(some ring wear on sleeve)
Label Silvertone Records
Catalogue ORE T 13
Format Vinyl 12 Inch
Released 1989
Genre Indie

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Other Titles by Stone Roses, The

Second Coming new sealed 180g vinylThe Stone RosesBegging YouFools Gold '95 CD singleFools Gold (Grooverider's Mix) Fools Gold 9.53Fools Gold: The RemixesMade Of StoneThe RemixesThe Stone RosesThe Stone Roses

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Wonder Stuff, TheNed's Atomic DustbinThe SmithsInspiral CarpetsNirvanaOasisMorrisseyBedazzledEatCarter The Unstoppable Sex MachineRadioheadSugarcubes, TheBlurIan BrownThe WoodentopsEverything But The GirlSnow PatrolJoy DivisionTest IciclesWonky AliceSoup Dragons, ThePushermanDeparture, TheHappy MondaysBardots, ThePop Will Eat ItselfSenseless ThingsIcicle Works, TheDelicious MonsterGoodbye Mr. MackenzieFaith BrothersThe Wonder StuffTerrorvisionSandkingsThe Mighty Lemon DropsHigh, TheMission, TheThe PopinjaysApples, TheLevitation

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Some Other Artists on the Silvertone Records Label

Jubilee The Stone RosesBuddy GuyJohn Lee Hooker

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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