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Felix Da Housecat - Harlot - City Rockers - Techno

Felix Da Housecat - Harlot - City Rockers - Techno
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Track Listing

A Harlot (Thee Glitz Extended Mix)
AA Harlot (Justin Robertson Mix)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Felix Da Housecat
Title Harlot
Label City Rockers
Catalogue ROCKERS03
Format Vinyl 12 Inch
Released 2001
Genre Techno

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Other Titles by Felix Da Housecat

Nu - World !Rocket RideRocket RideKittenz and Thee Glitz (Sampler)Metropolis Present Day ? Thee Remixes Part II: SubmarineMetropolis Present Day? Thee Remixes Part I: Silver Screen Shower SceneSilver Screen Shower SceneSilver Screen Shower SceneSilver Screen Shower SceneSilver Screen Shower Scene (Remixes)The Remains Of The Conspiracy E.P.Thee DawnThee DawnThee?

Some Other Artists in the Techno Genre

808 StateCarl CoxDJ DanWestBamThe ProdigyEskimos & EgyptMobySven VäthUnderworldDave AngelThe Chemical BrothersLuke SlaterSlamRedheadJbsRoel ButzenSystem 7Unknown ArtistSapianoDavid RoiseuxSound ExcitersLostKen IshiEmpirionIgnition TechnicianMark SummersCristian VogelKlubzone 1Dynamite Andreas KremerTechnomaniaPaul LangleyFrankie BonesBob BrownStacey PullenZombie NationTim BakerDigital OrgasmDonato CapozziDJ Dan & Needle Damage

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Some Other Artists on the City Rockers Label

ColoursoundFC KahunaRubberneck & Blue JamesRubberneckDifferent GearDr Kucho And Wally LopezDaniel DiamondMatti OilingColoursound & Felix Da HousecatThe Sunshine UndergroundRubberneck feat. BlueNorthern LiteThe Drug PunksFreddy & HermanDr. Kucho! & Wally LopezWarlocks, TheTiga & Zyntherius

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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