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Zombie Nation - Kernkraft 400 - Data Records - Techno

Zombie Nation - Kernkraft 400 - Data Records - Techno
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Track Listing

A Kernkraft 400 (Dave Clarke Remix) (5:41)
B Kernkraft 400 (DJ Gius Remix) (6:00)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Zombie Nation
Title Kernkraft 400
Label Data Records
Catalogue DATA11T
Format Vinyl 12 Inch
Released 2000
Genre Techno

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Other Titles by Zombie Nation

Kernkraft 400BoosterKernkraft 400Kernkraft 400Kernkraft 400Kernkraft 400Kernkraft 400Kernkraft 400Kernkraft 400 (Remix)Paeng Paeng


Some Other Artists in the Techno Genre

808 StateThe ShamenEskimos & EgyptDJ DanThe ProdigyLuke SlaterUnderworldSlamJbsDave ClarkeSven VäthMobyThe Chemical BrothersCarl CoxWestBamKen IshiiCristian VogelApollo 440Dave AngelTony CrooksBlue PearlDynamite Stacey PullenKen IshiSound ExcitersBob BrownRoel ButzenKerosene Beat In TimeGroove CycloneChelsea GrinDonato CapozziBoom Boom SatellitesSilo NeomorphLostMike DearbornA Guy Called GeraldIrridiumJosh Wink

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Some Other Artists on the Data Records Label

Angel CityLinus LovesStormTomcraftDJ SammyMish MashElectrique BoutiqueFuture BreezeW.O.S.P.PornoBoogie Pimps, TheMinimalistixCoburnOnyx & Gemma JStellar ProjectLee-CabreraBeatFreakzMagnoliaDHTCorvin DalekFreaksSoulkeeperLes Rythmes DigitalesPaul JohnsonOrion TooStuntDada & Sandy Rivera & Trix (8)AxwellD.H.T. & Edmée DaenenMilk & SugarBrane KovakStellar Project & Brandi EmmaAaron Smith & LuvliDeepest BlueD.O.N.S.Lost WitnessDial M For MoguaiCosmic GateParis Avenue feat Robin OneJohan Gielen & Abnea

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Data from the Discogs music database. Submit a Release.