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Sabres Of Paradise, The - Wilmot I - Warp Records - Dub

Sabres Of Paradise, The - Wilmot I - Warp Records - Dub
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Track Listing

A Wilmot (8:04)
B Rumble Summons (8:31)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Sabres Of Paradise, The
Title Wilmot I
Label Warp Records
Catalogue WAP 50
Format Vinyl 12 Inch
Released 1994
Genre Dub

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Other Titles by Sabres Of Paradise, The

Theme RemixesHaunted DancehallSabresonic IISabresonic IISmokebelch 2003Smokebelch IISmokebelch IISmokebelch II (Remixes)ThemeVersusWilmot II


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemSugar BulletTackheadMovement 98Concrete NationMonyakaMajestic 12Beats InternationalBorder CrossingF.A.B.Zeke ManyikaOui 3Stock, Aitken & WatermanGregory IsaacsFaze ActionKieser.VeltenPlatinum Radics & Governor TiggyNew KingdomCashmereLarry PeeIntelligent HoodlumApollo 440LazyboyYosser's GangFrantic LanguageGoat DanceThe Whitfield ExpressSly & RobbieTerranovaThe MaytalsBad Street BoyDJ ShadowRed DragonThe ConceptDelaney's Rhythm SectionBomb The Bass & CarltonPeace OrchestraCheshire CatCarey JohnsonAudioweb

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Some Other Artists on the Warp Records Label

Maxïmo ParkRed SnapperNightmares On WaxSquarepusherCoco Steel & LovebombJamie LidellJimi TenorPrefuse 73LFOBroadcastV.L.A.D.Black MojoSympleticAlexander's AnnexePhoeneciaTwo Lone SwordsmenBrothomstatesAntipop ConsortiumREQMira CalixFreeformChok RockSweet ExorcistBeansTricky DiscoMilaneseCoco Steel&LovebombJohn CallaghanChris ClarkRhythm InventionEternalSpeedy JPrefuse 73 & Books, TheKenny LarkinWild PlanetDSRForgemastersRichard H. KirkMike InkKid Unknown

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

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