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Del Amitri - Spit In The Rain - A&M Records - Indie

Del Amitri - Spit In The Rain - A&M Records - Indie
Price £5.00

Track Listing

A Spit In The Rain (3:45)
B Scared To Live (4:47)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Del Amitri
Title Spit In The Rain
Label A&M Records
Catalogue AM 589
Format Vinyl 7 Inch
Released 1990
Genre Indie

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Other Titles by Del Amitri

Always The Last To KnowKiss This Thing GoodbyeKiss This Thing GoodbyeKiss This Thing GoodbyeStone Cold SoberBe My DownfallNothing Ever Happens


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Some Other Artists on the A&M Records Label

Joan ArmatradingRick WakemanJeffrey OsborneL.A. MixRita CoolidgeCarpentersSqueeze Herb Alpert & The Tijuana BrassChris de BurghAtlantic StarrBrothers JohnsonThe PoliceBlack Janet JacksonElkie BrooksStingSam BrownBarry WhitePolice, TheCe Ce PenistonVesta WilliamsIoniRodeo JonesDina CarrollStyxJazzi PBrenda RussellHerb AlpertQuincy JonesLance EllingtonQuivverBad Boys Inc.Kris Kristofferson & Rita CoolidgePablo CruiseJim DiamondAlessiMilltown BrothersJoe JacksonCudBryan Adams

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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