Black Dog, The & Ofra Haza - Babylon (cd1&2) - Warner.ESP - Experimental
Track Listing1 Babylon (Hammurabi) (3:51)
2 Babylon (Hanging Gardens) (9:28)
3 Babylon (AK9 Ate My Pasty) (5:41)
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
|Artist||Black Dog, The & Ofra Haza|
Some Other Artists in the Experimental Genre• Panoptica • Kenickie • On • Synergy • Disflex 6 & Lazerus Jackson • Cooky Factory Ltd, The • Chicago Symphony Orchestra, The & Daniel Barenboim • Osymyso • BBX • M' Black • RMN • Firstborn • Lowfinger • Yanni • Antipop Consortium • The Art Of Noise & Max Headroom • Tackhead • Aloof, The • Add N To (X) • Andreas Vollenweider • Sudden Impact • Alexander's Annexe • Michael Crawford with The London Symphony Orchestra • Future Sound Of London, The • Wyfekillaz • Jimi Tenor • Chok Rock • Brothomstates • Acid Scout • Ragga And The Jack Magic Orchestra • Ladyvipb • Mira Calix • Passage • New Kingdom • Team Shadetek • Senser • John Callaghan • Prophecy • Fridge • Tangerine Dream •
Some Other Artists on the Warner.ESP Label•
Information on the Experimental GenreAt the beginning of the British rave era a number of UK based electronic musicians were inspired by the underground dance music of the time and started to explore experimental forms of EDM production. By the early 1990s the music associated with this experimentation had gained prominence with releases on a variety of record labels including Warp Records (1989), Black Dog Productions (1989), R & S Records (1989), Carl Craig's Planet E, Rising High Records (1991), Richard James's Rephlex Records (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1989), Soma Quality Recordings (1991), Peacefrog Records (1991), and Metamorphic Recordings (1992).
By 1992 Warp Records was marketing the musical output of the artists on its roster using the description electronic listening music, but this was quickly replaced by intelligent techno. In the same period (1992–93), other names were also used, such as armchair techno, ambient techno, and electronica, but all were attempts to describe an emerging offshoot of electronic dance music that was being enjoyed by the "sedentary and stay at home". Steve Beckett, co-owner of Warp, has said that the electronic music the label was releasing at that point was targeting a post-club home listing audience. In 1993 a number of new record labels emerged that were producing intelligent techno geared releases including New Electronica, Mille Plateaux, 100% Pure, and Ferox Records.