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Primal Scream - Swastika Eyes - Creation Records - Techno

Primal Scream - Swastika Eyes - Creation Records - Techno
Price £5.00

Track Listing

1 Swastika Eyes (Chemical Brothers Mix) (7:10)
2 Swastika Eyes (Spectre Mix) (8:10)
3 Swastika Eyes (Edit) (4:01)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Primal Scream
Title Swastika Eyes
Label Creation Records
Catalogue CRESCD326
Format CD Single
Released 1999
Genre Techno

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Other Titles by Primal Scream

ScreamadelicaCome TogetherScreamadelicaAcceleratorCome TogetherCome TogetherCome TogetherDixie-Narco EPDon't Fight It, Feel ItDon't Fight It, Feel It (Remixed By Graham Massey)Give Out But Don't Give UpGive Out But Don't Give Up - CD AlbumHigher Than The SunHigher Than The SunHigher Than The Sun

Some Other Artists in the Techno Genre

808 StateCarl CoxDJ DanLuke SlaterThe ProdigyThe Chemical BrothersEskimos & EgyptSven VäthUnderworldWestBamRedheadDave AngelMobyRoel ButzenSystem 7Zombie NationAquarhythmsSlamUnknown ArtistOrbitalJbsTechnomaniaPaul LangleyDave ClarkeFrankie BonesBob BrownStacey PullenTricky DiscoDigital BoyCJ BollandSapianoInnersphereDavid RoiseuxAndreas KremerSound ExcitersMauro PicottoLostKen IshiEmpirionGTO

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Some Other Artists on the Creation Records Label

18 WheelerTechniqueUltra LivingHurricane #1RubyLove CorporationHypnotoneSaint EtienneIdhaOasisCrazy Eddie&Q.Q. FreestyleSound Of Shoom, The Featuring Eusebe*Crazy Eddie & Q.Q. FreestyleSound Of Shoom, The & Steve EusebeThe Sound Of Shoom & Steve EusebeBoo Radleys, TheSaint Etienne & Faze ActionThe Times & Tippa IrieLilac Time, The3 Colours RedThe Weather ProphetsSheer TaftTelescopes, TheJ.B.C.Sheer Taft & Ingrid KudosWorld UniteHouse Of Love, TheA Certain RatioRideDreadzonePrimal Scream & Denise JohnsonSuper Furry AnimalsSwervedriverFlukePeter AstorBass BumpersOne True ParkerSumosonicMedalark Eleven

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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