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Unknown Artist - Vanishing Point - Fast Car Magazine - Techno

Unknown Artist - Vanishing Point - Fast Car Magazine - Techno
Price £5.00

Track Listing

01 Energis (3:38)
02 Peregone (3:15)
03 Receptor (4:10)
04 Chase (3:32)
05 Kraymon (3:58)
06 Melting (2:52)
07 Q (3:12)
08 Frontend (1:56)
09 Result (1:28)
10 Intro (1:09)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Unknown Artist
Title Vanishing Point
Label Fast Car Magazine
Catalogue FC018
Format CD Album
Released 2001
Genre Techno

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Other Titles by Unknown Artist

Holy Les Edits Du Golem 5Miami Massive EPUntitledAll I SeeCelebrationCocaineDelieu EPDJ's At Work Vol 2Don't Stop / Ministry Of LoveDub SunshineEternal EnergyEverybody Get DigitalFeel The PowerFeevapitch!


Some Other Artists in the Techno Genre

808 StateDJ DanThe ShamenThe ProdigyUnderworldEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterDave ClarkeJbsSlamWestBamFormatKen IshiRoel ButzenSapianoSubculture (4)David RoiseuxBeat In TimeScotti DeepOrbitalKerosene SubterfugeSound ExcitersTony CrooksCristian VogelDynamite Bob BrownCarl CoxMark SummersStacey PullenMike DearbornDonato CapozziAccess 58DJ Dan & Needle DamageLostMorpheus Groove Cyclone

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Some Other Artists on the Fast Car Magazine Label

Rob TisseraDJ Red Alert & Mike Slammer

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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