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D-Shake - Teknø Bam (Seismik Overload) - Go Bang! Records - Techno

D-Shake - Teknø Bam (Seismik Overload) - Go Bang! Records - Techno
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Track Listing

A Tekno Bam (Seismik Overload) (7:31)
AA1 Sonic Bogus (5:50)
AA2 Boomin' Bumpin' (5:39)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist D-Shake
Title Teknø Bam (Seismik Overload)
Label Go Bang! Records
Catalogue BANG 017
Format Vinyl 12 Inch
Released 1991
Genre Techno

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Other Titles by D-Shake

My Heart,The BeatMy Heart, The BeatTune In!Interstellar OverdriveMy Heart The BeatMy Heart, The BeatMy Heart, The Beat / Dance The Night AwayTechno Trance / Yaaaaah ('96 Remixes)Technotrance 2000 - The Remixes By DEATeknø Bam (Seismik Overload)Yaaaaaaaaaah (Freestyle Club Mix) / Techno Trance (Paradise Is Now)Yaaaaaaaaaah (Freestyle Club Mix) / Techno Trance (Paradise Is Now)Yaaaaaaaaaah (Freestyle Club Mix) / Techno Trance (Paradise Is Now)Yaaah / Techno TranceYaaah / Techno Trance


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldEskimos & EgyptThe Chemical BrothersMobySven VäthLuke SlaterWestBamDave ClarkeJbsSlamCarl CoxFormatRoel ButzenTony CrooksSapianoMark SummersBob BrownDavid RoiseuxDynamite OrbitalBeat In TimeKerosene SubterfugeSubculture (4)Ken IshiSound ExcitersCristian VogelTechnomaniaScotti DeepStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the Go Bang! Records Label

QuazarFlex Turntable HypeGTODshake*House Of VenusLimited EditionPenetration

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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