Roots Manuva - Witness (1 Hope) - Big Dada Recordings - Dub
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Out of Stock |
Track ListingA Witness (1 Hope)B1 Witness (1 Hope) - Part 2 In The Flesh Mix B2 Son Of The Soil Media Condition » Near Mint (NM or M-) Sleeve Condition » Generic |
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Artist | Roots Manuva | ||
Title | Witness (1 Hope) | ||
Label | Big Dada Recordings | ||
Catalogue | BD022 | ||
Format | Vinyl 12 Inch | ||
Released | 2001 | ||
Genre | Dub |
Other Titles by Roots Manuva
• Colossal Insight • Awfully De/EP • Awfully Deep • Brand New Second Hand • Dreamy Days • Dreamy Days (MJ Cole Dub) • Juggle Tings Proper • Ltal Visions • Motion 5000 • Slime & Reason •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Tackhead • Sugar Bullet • F.A.B. • Stock, Aitken & Waterman • Concrete Nation • Beats International • Movement 98 • Zeke Manyika • Oui 3 • Monyaka • Majestic 12 • Border Crossing • Platinum Radics & Governor Tiggy • Frantic Language • Lazyboy • Gregory Isaacs • Raz Ohara • Cheshire Cat • The Maytals • New Kingdom • Cashmere • Larry Pee • Kieser.Velten • The Concept • Bomb The Bass & Carlton • Audioweb • Carey Johnson • Walkner.Möstl • Apollo 440 • The Whitfield Express • Delaney's Rhythm Section • Oosh • Goat Dance • Red Dragon • Bad Street Boy • DJ Shadow • Unitone Rockers & Black Steel • Terranova • Sly & Robbie • |
Some Other Artists on the Big Dada Recordings Label• Part 2 • Majesticons, The • New Flesh • Cadence Weapon • Ty • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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