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Air Liquide - Live In New York City. 1994 - Rising High Records - Techno

Air Liquide - Live In New York City. 1994 - Rising High Records - Techno
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Track Listing

A1 Part I
A2 Part II
B1 Part III
B2 Part IV


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Air Liquide
Title Live In New York City. 1994
Label Rising High Records
Catalogue RSN 108
Format Coloured Vinyl 12 Inch
Released 1995
Genre Techno

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Other Titles by Air Liquide

Air LiquideRobot Wars : Combat Zone Part 1 & 2Space BrothersThe Mercury EPUludag


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Bob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the Rising High Records Label

A Homeboy, A Hippie & A Funki DreddHypnotist, TheHearts Of SpaceCaspar PoundMinimalistic SourceAerothrobProject One & Mad CooliParaglidersBedouin AscentPound & HarrisThe HypnotistHypnotistOngakuRising High CollectiveAudio AssaultEarth Leakage TripBlack Dog ProductionsKibuEdenhouseCybertraxLegend BEuromastersPerry & RhodanSigns Of ChaosThe Dark Syndicate Tanzmuzik4VoiceIrresistible Force, TheDub CollectiveVision, TheRandom AccessUnion JackWagon ChristA Homeboy, A Hippie&A Funki DreddInterfaceChurch Of ExtacyN-Trance New London School Of ElectronicsProphet Of RageTranquillizer

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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