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Kerosene - Worthless / Everybody's Icon - Warner Music UK Ltd. - Techno

Kerosene  - Worthless / Everybody's Icon - Warner Music UK Ltd. - Techno
SALE Price £6.00 £3.00

Track Listing

A Worthless (Hypnotist Mix)
B Everybody's Icon

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Kerosene
Title Worthless / Everybody's Icon
Label Warner Music UK Ltd.
Catalogue YZ760TX
Format Vinyl 12 Inch
Released 1993
Genre Techno

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Other Titles by Kerosene

Collision EPKing Of The SlumWorthless / Everybody's IconEverybody's Icon, Worthless (Hypnotist Mix)Hell's AngelKing Of The SlumSongs From The WoodWoman Quality

Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptSven VäthThe Chemical BrothersMobyCarl CoxJbsSlamFormatLuke SlaterDave ClarkeWestBamSapianoBob BrownDavid RoiseuxOrbitalBeat In TimeSubculture (4)Scotti DeepRoel ButzenTony CrooksSubterfugeKen IshiSound ExcitersCristian VogelStacey PullenTechnomaniaMark SummersDynamite LostDJ Dan & Needle DamageMorpheus A Guy Called GeraldDoi-OingDonato CapozziMike Dearborn

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Some Other Artists on the Warner Music UK Ltd. Label

ArkarnaOld Skool OrchestraD:ReamRainstarRochelleKeisha WhiteSimply RedSam ObernikShadySaffronElectroteteAmarKamasutraAbigail Mead & Nigel GouldingAcaciaShola AmaFreeform FiveChaka KhanMark MorrisonUltra NatéVan HalenMoonyDiveOxide & Neutrino18th StreetCherGlamma KidJuliet RobertsDario GEric BenetIngrid SchroederB.T.Marc AlmondDavid Lee RothThompson TwinsTanita TikaramMr. Joshua & EspirituSusan HyattMotiv 8Dana Lee

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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