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Melba Moore - A Little Bit More - Capitol Records - Down Tempo

Melba Moore - A Little Bit More - Capitol Records - Down Tempo
Price £6.00

Track Listing

A A Little Bit More (4:54)
B1 A Little Bit More (Edit) (4:15)
B2 When We Touch (It's Like Fire) (4:25)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Melba Moore
Title A Little Bit More
Label Capitol Records
Catalogue 12CL 431
Format Vinyl 12 Inch
Released 1986
Genre Down Tempo

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Other Titles by Melba Moore

A Little Bit MoreA Lot Of LoveA Lot Of LoveDo You Really Want My LoveMind Up TonightMiss ThingMy Heart Belongs To YouMy Heart Belongs To You (The Prime Time Mixes)Still In LoveBurn - (Generic Sleeve)Do You Really Want My LoveIt's Been So LongLet's Stand Together / Take My LoveLove Me RightLove's Comin' At Ya


Some Other Artists in the Down Tempo Genre

Barbra StreisandL.A. MixBeats InternationalJennifer RushAlison MoyetSoul II SoulPaul YoungPauline HenryLisa StansfieldDavid HolmesRandy CrawfordRuby TurnerEverything But The GirlPhyllis NelsonBeatsystemSimon ClimieSimply RedCarly SimonOran 'Juice' JonesEFUAZoë BirkettZoëPhil CollinsBy All MeansElton JohnHowie B.Engelbert HumperdinckNTAloof, The1 WorldBarry ManilowEternityDes'reeMaureen WalshSydney YoungbloodAndy WilliamsInnocenceOleta AdamsBerlinGary Clail&On-U Sound System

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Some Other Artists on the Capitol Records Label

Diana RossTina TurnerFrank SinatraFreddie JacksonDr. HookMC HammerMantronixMaze Featuring Frankie BeverlyStan KentonThe Beach BoysTavaresStan Kenton And His OrchestraNat King ColeLillo ThomasSpearheadGlen CampbellBilly MayAshford & SimpsonMeli'sa MorganJudy GarlandSly FoxBrass ConstructionPortraitCrowded HouseChingyPeabo BrysonWillie CollinsMoon MartinAnne MurrayDick HaymesMatt MonroBob Seger And The Silver Bullet BandThe George Shearing QuintetHeartSammy HagarAl MartinoRodgers & HartSteve Miller BandHouston Audrey Wheeler

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Information on the Down Tempo Genre

Downtempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.

The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.

In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.

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