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Kenny Larkin - Integration - Champion - US Techno

Kenny Larkin - Integration - Champion - US Techno
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Track Listing

That Side
A1 Integration
A2 Colony
This Side
AA1 Metropolis
AA2 Colonize


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Kenny Larkin
Title Integration
Label Champion
Catalogue CHAMP 12 · 274
Format Vinyl 12 Inch
Released 1991
Genre US Techno

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Other Titles by Kenny Larkin

IntegrationAzimuthCatatonicCatatonicIntegration / Colony / Metropolis / ColonizeLoop 2Loop 2Loop 2 (inc. Luke Slater Remix)MetaphorWe Shall OvercomeWe Shall Overcome


Some Other Artists in the US Techno Genre

Inner CityModel 500Reese Project, TheParis Grey & Kevin SaundersonSysexOne On OneRhythmaticDuane & Co.Hard HatsThe Reese ProjectNeedle DamageJMD 2This Is WarAphroheadMacalusoDJ DanMark The 909 KingReidDistorterEnduranceStatusSteve StollSubsonic 808Speedy JMike WadeMateo MurphyJahkey BGreen VelvetMD ConnectionSatoshi TomiieDark LlamaDJ JesBlow Monkeys, ThePositivityRhythim is RhythimRYUKeokiCarl CraigWinxMarkey

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Some Other Artists on the Champion Label

Kristine WRazeStaxxSybilRoyal HouseSphinxSandy BDoug LazyHome WreckersRed Eye WhistleTony ScottJ.T. And The Big FamilyRaze & Lady J & The Secretary Of EntertainmentTodd Terry Project, TheDee Dee BraveThe Kartoon KrewEast TownRobin S.EliteSound Of The UndergroundJack E MakossaB-FatsRomeroLiquid OxygenGroove JunkiesRobin SRecall 22JT & The Big FamilyLibra LibraOliver CheathamFarleyCorinaCarole SylvanPowerhouse Suzie And The CubansLegend, TheKelly CharlesDave StormPowerjam

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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