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True Gold - Groove No. 1 - EMI - Techno

True Gold - Groove No. 1 - EMI - Techno
Price £5.00

Track Listing

A Groove No.1 (Original Solaris Mix) (8:23)
B Groove No. 1 (Slynus Mix) (7:25)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist True Gold
Title Groove No. 1
Label EMI
Catalogue Groove 1
Format Vinyl 12 Inch
Released 2001
Genre Techno

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Other Titles by True Gold

• Groove No. 1 • Groove No. 1 • Groove No. 1 •


Some Other Artists in the Techno Genre

• 808 State • DJ Dan • The Prodigy • Luke Slater • Sven Väth • Eskimos & Egypt • Dave Clarke • WestBam • Jbs • Moby • Slam • The Chemical Brothers • Underworld • Carl Cox • The Shamen • Tony Crooks • Sound Exciters • Dave Angel • Veinte Tres • Beat In Time • Ken Ishii • Stacey Pullen • Dynamite • Ken Ishi • Bob Brown • Apollo 440 • Cristian Vogel • Roel Butzen • Kerosene • Mike Dearborn • Irridium • Lost • Chelsea Grin • Groove Cyclone • Donato Capozzi • Silo • Neomorph • A Guy Called Gerald • Boom Boom Satellites • Josh Wink •

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Some Other Artists on the EMI Label

• Jaki Graham • Cliff Richard • Climie Fisher • Sheena Easton • Duran Duran • Diana Ross • Olivia Newton-John • Hazell Dean • Precious • Yehudi Menuhin & Stéphane Grappelli • 2AM JAM • Kajagoogoo • Robert Palmer • David Grant & Jaki Graham • Babylon Zoo • Kate Bush • Louise • Limahl • Light Of The World • The Farmer's Boys • Marillion • Diane Solomon • Eternal • Thomas Dolby • Morrissey Mullen • Robert Palmer & UB40 • The Shadows • Hot Chocolate • The Hollies • Jimmy Ruffin • Queen • Lizzie Tear • Team, The • Steve Harley & Cockney Rebel • B.B. Queen • Afrika Bambaataa & Family • River City People • Télépopmusik • Dana Dawson • Goldbug •

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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