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Renegade Soundwave - The Phantom (It's In There) / Ozone Breakdown - Mute - Techno

Renegade Soundwave - The Phantom (It's In There) / Ozone Breakdown - Mute - Techno
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Track Listing

A The Phantom (It's In There) (6:32)
AA Ozone Breakdown (6:44)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Renegade Soundwave
Title The Phantom (It's In There) / Ozone Breakdown
Label Mute
Catalogue INT 126.911
Format Vinyl 12 Inch
Released 1989
Genre Techno

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Other Titles by Renegade Soundwave

BrixtonBiting My NailsBiting My NailsBiting My NailsBiting My NailsBiting My Nails (Club Mixes)Biting My Nails (Club Mixes) Generic sleeveIn DubProbably A RobberyProbably A Robbery Extended?Biting My NailsBiting My NailsBiting My Nails (Club Mixes)Biting My Nails (Club Mixes)Blastik 1


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldSven VäthMobyEskimos & EgyptThe Chemical BrothersLuke SlaterWestBamFormatDave ClarkeJbsSlamCarl CoxDynamite Bob BrownBeat In TimeStacey PullenScotti DeepSapianoMark SummersKerosene David RoiseuxSubterfugeTechnomaniaSubculture (4)Ken IshiSound ExcitersCristian VogelRoel ButzenDoi-OingEmpirionDJ Dan & Needle DamageLostDonato CapozziMorpheus Mike DearbornNeomorph

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Some Other Artists on the Mute Label

ErasureMobyLuke SlaterYazooDepeche ModeFortran 5PeachWirBarry AdamsonSlick SixtyNitzer EbbMoby & Deborah HarryHoodwinkDesiyaMoby & Moby & KelisFortran 5 & Larry GrahamDepeche Mode Photo BookMark StewartAssembly, TheHe SaidAdd N To (X)GoldfrappLaibachLiaisons DangereusesFad GadgetInspiral CarpetsThe AssemblyDave Gahan

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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