Messiah - Prince Of Darkness / I Am Evil - Déja Vu Recordings - Techno
||Out of Stock||
Track ListingSide 1 Prince Of Darkness (4:35)
Side 2 I Am Evil (4:00)
Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
|Title||Prince Of Darkness / I Am Evil|
|Label||Déja Vu Recordings|
|Format||Vinyl 12 Inch|
Other Titles by Messiah
• 20,000 Hardcore Members • Thunderdome • 20,000 Hardcore Members • I Feel Love • Temple Of Dreams • Temple Of Dreams Manix Remix • Thunderdome • 20,000 Hardcore Members • I Feel Love • Prince Of Darkness / I Am Evil • Prince Of Darkness / I Am Evil • Temple Of Dreams • Temple Of Dreams • Temple Of Dreams • Temple Of Dreams •
Some Other Artists in the Techno Genre• Carl Cox • DJ Dan • 808 State • WestBam • The Prodigy • Eskimos & Egypt • Sven Väth • Underworld • Dave Angel • The Chemical Brothers • Slam • Luke Slater • Roel Butzen • Redhead • Jbs • Moby • System 7 • Lost • Cristian Vogel • Sapiano • David Roiseux • Andreas Kremer • Technomania • Josh Wink • Frankie Bones • Sound Exciters • Bob Brown • Ken Ishi • Empirion • Ignition Technician • Mark Summers • Klubzone 1 • Dynamite • Unknown Artist • Paul Langley • Dave Clarke • Stacey Pullen • Zombie Nation • Digital Orgasm • Aquarhythms •
Some Other Artists on the Déja Vu Recordings Label• D E O N • Recall • Sterling • Raving Mad • Mind Of Kane • Naz A.K.A. Naz • Boomtown Productions • Two Undercover •
Information on the Techno GenreTechno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.