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Cybotron - Motor City Machine Music: An Exploration Of Cybotron - BGP Records - Techno

Cybotron - Motor City Machine Music: An Exploration Of Cybotron - BGP Records - Techno
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Track Listing

1 Cybotron Clear (4:52)
2 Cybotron Cosmic Cars (House Mix) (4:26)
3 Cybotron Alleys Of Your Mind (3:31)
4 Cybotron R-9 (5:15)
5 X-Ray Let's Go (Freak Mix) (7:20)
6 Cybotron Techno City (Inst) (6:40)
7 Cybotron Industrial Lies (6:13)
8 Cybotron El Salvador (4:45)
9 Cybotron Cosmic Raindance (3:59)
10 Cybotron Cosmic Cars (House Mix) (4:27)
11 X-Ray Let's Go (Edit) (6:11)
12 Cybotron R-9 (Inst) (4:45)
13 Cybotron Cosmic Cars (House Drum Mix) (3:34)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Cybotron
Title Motor City Machine Music: An Exploration Of Cybotron
Label BGP Records
Catalogue CDBGPD 167
Format CD Album
Released 2005
Genre Techno

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Other Titles by Cybotron

ClearClear - new reissueCosmic CarsTechno City


Some Other Artists in the Techno Genre

Luke SlaterDJ DanSven VäthThe ProdigyThe Chemical BrothersRedhead808 StateMobyCarl CoxEskimos & EgyptWestBamAquarhythmsSlamUnderworldMauro PicottoJbsUnknown ArtistSystem 7Zombie NationLostCJ BollandOrbitalAndreas KremerTechnomaniaDavid RoiseuxBob BrownRoel ButzenKen IshiEmpirionDave AngelRobert ArmaniIgnition TechnicianDynamite Death In VegasBen LongDave ClarkeJohan BactoGee ShockMike DearbornNeomorph

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Some Other Artists on the BGP Records Label

Funk Inc.Blackbyrds, TheIdris Muhammad

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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