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Underworld - Pearl's Girl - Junior Boy's Own - Techno

Underworld - Pearl's Girl - Junior Boy's Own - Techno
Price £5.00

Track Listing

1 Pearl's Girl (Short) (4:25)
2 Oich Oich (8:33)
3 Cherry Pie (8:22)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Underworld
Title Pearl's Girl
Label Junior Boy's Own
Catalogue jbo38cds1
Format CD Single
Released 1996
Genre Techno

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Other Titles by Underworld

A CollectionBorn SlippyBorn Slippy NuxxBorn Slippy NuxxBorn Slippy.NUXX CD 2CowgirlDinosaur Adventure 3DDirty Epic / CowgirlJumboPearl's GirlPearl's Girl - (DISC 2 ONLY)Pearl's Girl - 14996 VersionPush UpstairsPush UpstairsPush Upstairs

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808 StateDJ DanThe ShamenThe ProdigyEskimos & EgyptMobyThe Chemical BrothersSven VäthDave ClarkeWestBamLuke SlaterSlamFormatJbsBeat In TimeSapianoOrbitalSubterfugeSubculture (4)Cristian VogelKerosene David RoiseuxRoel ButzenSound ExcitersTony CrooksDynamite Bob BrownCarl CoxMark SummersKen IshiScotti DeepStacey PullenAccess 58DJ Dan & Needle DamageTechnomaniaDoi-OingMorpheus Donato CapozziLostGroove Cyclone

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Some Other Artists on the Junior Boy's Own Label

X-Press 2Fire IslandRoach MotelRegular FriesSessomattoTake AimOutrageDylan Rhymes & Unknown 60'sAbrahamFreak PowerLovestormKing UniqueCrimeFire Island & Love NelsonFire Island & Mark AnthoniBallistic BrothersPaul WoolfordRoach Motel & 2 Stupid DogzProblem Kids & Buddy BoothCricco CastelliLemon InteruptBuddy BoothKnown ChicDust Brothers, The London Authority, TheProblem KidsJersey StreetJamayka Boys, TheP.L.C.Heller & Farley ProjectLevel IIIFire Island & Loleatta HollowayLos JugaderosRoach Motel Present 2 Stupid DogzBlack Science OrchestraCenturasSwagDylan RhymesBooker TBookstone

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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