Various - Dark Acid III - Clan Destine Records - Techno
Track ListingA1 I.B.M. Sexually Broken
A2 Tzusing Teeth
B1 TWINS (15) Mind Out Of Reach
B2 Tract Light In Extension
Media Condition » Mint (M)
Sleeve Condition » Mint (M)
|Title||Dark Acid III|
|Label||Clan Destine Records|
|Format||Vinyl 12 Inch|
Other Titles by Various
• True Faith The First Phase • Lazy DJs • Deeper Side Of London EP • Fierce Dance Cuts No. 1 • Regrooves Volume Two • Saturday Night Fever (The Original Movie Sound Track) • Serious Beats 1 • The Unreleased Projects EP Vol. 1. • Vox Populi: First Choice Sampler 1993 Volume 1 • Balearica 20 • Betta Breaks & Beats Volume 1 • Chicago Kings And Queens Of House • Children / Adolescence • Different Worlds EP • Discotheque E.P. •
Some Other Artists in the Techno Genre• Luke Slater • DJ Dan • Sven Väth • The Prodigy • The Chemical Brothers • Redhead • 808 State • Moby • Carl Cox • Eskimos & Egypt • Aquarhythms • WestBam • Slam • Jbs • Underworld • Mauro Picotto • Unknown Artist • Dave Clarke • System 7 • David Roiseux • Zombie Nation • Robert Armani • Lost • CJ Bolland • Dynamite • Orbital • Ben Long • Andreas Kremer • Technomania • Death In Vegas • Roel Butzen • Bob Brown • Dave Angel • Ken Ishi • Empirion • Ignition Technician • Tony Thomas • Sapiano • Innersphere • Christians, The •
Some Other Artists on the Clan Destine Records Label•
Information on the Techno GenreTechno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.