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Dimitri From Paris - Dirty Larry - Yellow Productions - House

Dimitri From Paris - Dirty Larry - Yellow Productions - House
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Track Listing

A1 Dirty Larry (Crue-L Grand Orchestra Remix) (8:10)
A2 Dirty Larry (Idjut Boys Roastbeef Mix) (7:20)
B1 Dirty Larry (Dim's A La Old School Flava) (9:20)
B2 Free Ton Style (Dim's Classique Extension) (6:30)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Dimitri From Paris
Title Dirty Larry
Label Yellow Productions
Catalogue YP 017
Format Vinyl 12 Inch
Released 1996
Genre House

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Other Titles by Dimitri From Paris

A Night At The Playboy MansionAfter The Playboy Mansion (Laidback Selection)Dimitri From Paris Presents Cocktail Disco Volume 1Dimitri From Paris Presents Cocktail Disco Volume 2Disco Forever (The Sound Of Underground Disco) - Discs 1&2 onlyIn The House (Part 1)In The House (Part 2)Jazzin The House (Claudio Coccoluto Remixes)Jazzin The House (Claudio Coccoluto Remixes)Monsieur Dimitri's De-Luxe House Of FunkMy Salsoul - Selected And Mixed By Dimitri From ParisSacre FrancaisUne Very Stylish Fille (Les Remixes)

Some Other Artists in the House Genre

Unknown ArtistBlack BoxM PeopleBasement JaxxFull IntentionDina CarrollSpacedustPhats & SmallStrikeTyrrel CorporationVarious ArtistsK-KlassInner CityZ FactorRozallaYazzRhythm MastersJuliet RobertsSybilPizzamanUltra NatéHappy ClappersStaxxCappellaSouvlakiKaren RamirezBenefit X-Press 2SugababesMirageBob SinclarSealWamdue ProjectGambafreaksWildchildEve GallagherRaven MaizeKim EnglishShara NelsonVenus Hum

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Some Other Artists on the Yellow Productions Label

AfricanismBob SinclarLonesome Echo StringsJulius PappSalomé De BahiaErnest Saint LaurentSilent PoetsJazztronikBob Sinclar & Lee GenesisJulius Papp&Dave WarrinMighty Bop, The & La Funk Mob & EJMShazzDuncanCarolyn HardingShinyGreyTom & JoyceFresh LabJulius Papp & Dave WarrinLyszakAfricanism & SohaTom&JoyceFrançois KevorkianMoore BossaBrandyVince & DJ T.Carinhoso Project & Julius PappYasushi Ide & Lonesome Echo StringsSohaAfricanism & DJ GregoryPaul JohnsonBlackjoyPowerhouseMighty Bop, TheKid LocoAfricanism & Ladysmith Black MambazoCarinhoso ProjectMuroKyoto Jazz MassiveReminiscence QuartetBob Sinclar & Cutee B & Dollarman & Gary

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Information on the House Genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.

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