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Signs Of Chaos - Crackerjack EP - Rising High Records - Techno

Signs Of Chaos - Crackerjack EP - Rising High Records - Techno
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Track Listing

A1 Crackerjack (6:05)
A2 Funky Frequencies (5:53)
AA1 Touch The Sky (5:00)
AA2 You Can't Stop It (6:33)

Media Condition » Very Good (VG)
Sleeve Condition » Generic
Artist Signs Of Chaos
Title Crackerjack EP
Label Rising High Records
Catalogue RSN 23
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Signs Of Chaos

Crackerjack EPCrackerjack EP

Some Other Artists in the Techno Genre

808 StateDJ DanCarl CoxWestBamLuke SlaterThe ProdigyEskimos & EgyptSven VäthDave AngelThe Chemical BrothersMobySlamUnderworldRoel ButzenRedheadJbsSystem 7Zombie NationLostCristian VogelSapianoOrbitalKlubzone 1Andreas KremerTechnomaniaDavid RoiseuxFrankie BonesSound ExcitersBob BrownKen IshiEmpirionIgnition TechnicianMark SummersDynamite Unknown ArtistPaul LangleyStacey PullenAquarhythmsDigital OrgasmSkintrade

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Some Other Artists on the Rising High Records Label

A Homeboy, A Hippie & A Funki DreddHypnotist, TheParaglidersEuromastersRising High CollectiveHypnotistThe HypnotistHearts Of SpaceChurch Of ExtacyProject One & Mad CooliMinimalistic SourceProject OnePound & HarrisTranquillizerAudio AssaultHunter, Lauks & ParisCaspar PoundAerothrobBug O-FourA Homeboy, A Hippie&A Funki DreddN-Trance Electron RyderRed Light District Prophet Of RageNew London School Of ElectronicsRandom AccessRabbit In The Moon & HumateBlack Dog ProductionsDomDub CollectiveJ K WalkerAtom HeartThe Dark Syndicate Biochip C. & Jammin' Unit & Dr. WalkerPhobiaThe Vision4VoiceTransformInterfaceWagon Christ

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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