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Candy Girls & Sweet Pussy Pauline - Fee Fi Fo Fum - VC Recordings - Techno

Candy Girls & Sweet Pussy Pauline - Fee Fi Fo Fum - VC Recordings - Techno
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Track Listing

A1 Fee Fi Fo Fum (12" Mix)
A2 Fee Fi Fo Fum (Tea Party Mix)
B1 Fee Fi Fo Fum (Ayia Napa Carnival Mix)
B2 Fee Fi Fo Fum (Sharp Dub)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Candy Girls & Sweet Pussy Pauline
Title Fee Fi Fo Fum
Label VC Recordings
Catalogue VCRT 1
Format Vinyl 12 Inch
Released 1995
Genre Techno

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Other Titles by Candy Girls & Sweet Pussy Pauline

Wham BamFee Fi Fo FumFee Fi Fo FumFee Fi Fo FumFee Fi Fo FumWham BamWham Bam


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Carl CoxBob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDoi-OingDJ Dan & Needle DamageLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the VC Recordings Label

Tin Tin OutD*NoteMutinyCamisraThe ShrinkJayn HannaBig Room Girl & Darryl PandyMadison AvenueAmiraBambooUrban SoulTomba ViraTall PaulBullittTin Tin Out & Shelley NelsonNightvisionHeartists, TheShenaNikita WarrenEn-Core KyraMauro PicottoStretch & VernCRWThe HeartistsElateHead RoomBig Room GirlFool BoonaDJ Dado & Michelle WeeksBeat FoundationDJ TiëstoEn-Core & Stephen Emmanuel & Eska MtungwaziVisual Sounds InteractiveSantos & SabinoTin Tin Out & Wendy PageMisledZeitia MassiahGrant NelsonSilicone Soul & Louise Clare Marshall

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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