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The KLF - What Time Is Love? (Live At Trancentral) - KLF Communications - Techno

The KLF - What Time Is Love? (Live At Trancentral) - KLF Communications - Techno
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Track Listing

A What Time Is Love? (Live At Trancentral) (5:24)
B What Time Is Love? (Techno Gate Mix) (4:42)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist The KLF
Title What Time Is Love? (Live At Trancentral)
Label KLF Communications
Catalogue KLF 004X
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by The KLF

3 A.M. Eternal (Live At The S.S.L.)Last Train To Trancentral (Live From The Lost Continent)What Time Is Love? (Live At Trancentral)3 A.M. Eternal (Live At The S.S.L.)3 A.M. Eternal (Live At The S.S.L.)America: What Time Is Love?Justified & AncientLast Train To Trancentral (Live From The Lost Continent)Last Train To Trancentral (Live From The Lost Continent)Last Train To Trancentral (Live From The Lost Continent)Last Train To Trancentral (Meets The Moody Boys Uptown)What Time Is Love? (Live At Trancentral)What Time Is Love? (Live At Trancentral) super rare promo


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808 StateDJ DanThe ProdigyThe ShamenUnderworldSven VäthEskimos & EgyptMobyThe Chemical BrothersCarl CoxFormatLuke SlaterDave ClarkeJbsWestBamSlamDynamite Stacey PullenDavid RoiseuxScotti DeepSapianoMark SummersBob BrownBeat In TimeTechnomaniaKerosene Roel ButzenCristian VogelSubterfugeKen IshiSubculture (4)Sound ExcitersEmpirionLostTony CrooksA Guy Called GeraldDonato CapozziMike DearbornDoi-OingDJ Dan & Needle Damage

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Some Other Artists on the KLF Communications Label

KLF, TheKLFSpace (KLF)KLF / The jamsDisco 2000Timelords, TheJustified Ancients Of Mu Mu, TheKLF, The & Children Of The Revolution, TheThe Justified Ancients Of Mu MuThe KLF & The Children Of The RevolutionThe TimelordsSpace (3)

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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