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David Holmes - Johnny Favourite - Warp Records - Techno

David Holmes - Johnny Favourite - Warp Records - Techno
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Track Listing

A Johnny Favourite (Exploding Plastic Inevitable Mix) (11:17)
B Johnny Favourite (Exploding Plastic Ambience Mix) (6:52)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist David Holmes
Title Johnny Favourite
Label Warp Records
Catalogue WAP 42
Format Vinyl 12 Inch
Released 1994
Genre Techno

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Other Titles by David Holmes

My Mate PaulMy Mate PaulDon't Die Just YetDon't Die Just YetDon't Die Just YetDon't Die Just YetGritty ShakerMy Mate PaulMy Mate PaulMy Mate PaulMy Mate PaulMy Mate PaulNo Man's LandNo Mans LandNo Mans Land

Some Other Artists in the Techno Genre

808 StateCarl CoxDJ DanWestBamThe ProdigyEskimos & EgyptMobySven VäthUnderworldDave AngelThe Chemical BrothersLuke SlaterSlamRedheadJbsSystem 7Roel ButzenUnknown ArtistSapianoDavid RoiseuxSound ExcitersLostKen IshiEmpirionIgnition TechnicianMark SummersCristian VogelKlubzone 1Dynamite Andreas KremerTechnomaniaPaul LangleyFrankie BonesBob BrownStacey PullenZombie NationMark NormanSkintradeDonato CapozziDJ Dan & Needle Damage

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Some Other Artists on the Warp Records Label

Maxïmo ParkRed SnapperNightmares On WaxSquarepusherJimi TenorCoco Steel&LovebombTricky DiscoJamie LidellPrefuse 73BrothomstatesMilanesePlaid & Bob JarocAlexander's AnnexeMira CalixBeansBlack MojoBroadcastTeam ShadetekSympleticPhoeneciaAntipop ConsortiumAphex TwinJake SlazengerChok RockFreeformCoco Steel & LovebombREQV.L.A.D.John CallaghanTomasTwo Lone SwordsmenPlaidRichard DevineF.U.S.E.Sabres Of Paradise, TheJackson&His Computer BandDJ Mink & The K.I.D & CarruthersAutechreGrizzly BearKelli Hand

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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