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A Very Good Friend Of Mine & Joy - Just Round - Positiva - Big Beat

A Very Good Friend Of Mine & Joy - Just Round - Positiva - Big Beat
Price £5.00

Track Listing

A1 Just Round (Original Mix)
A2 Just Round (Soul Hooligan Remix)
B Just Round (The Sharp Boys Master Blaster Remix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist A Very Good Friend Of Mine & Joy
Title Just Round
Label Positiva
Catalogue 12TIVDJ109
Format Vinyl 12 Inch
Released 1999
Genre Big Beat

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Other Titles by A Very Good Friend Of Mine & Joy

Just RoundJust Round


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Dirty BeatniksCut La RocLo-Fidelity AllstarsFatboy SlimFuzz TownshendJungle BrothersFreak PowerSparky LightbourneBentley Rhythm AceThe WiseguysDeath In VegasMissy Elliott & LudacrisApollo 440Monkey MafiaStereo MC'sPorn KingsStrike Boys (The)Three Amigos, TheLionrockNorman CookFuselageE-KlektikFC KahunaPeliroccoDub PistolsHardknoxMint RoyaleSuperchargerMighty Dub KatzMissy ElliottSpace RaidersEl DestructoDog Apollo Four FortyDr. BoneBedlam Ago GoHeadrillazAgent ProvocateurMidfield GeneralCornershop

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Some Other Artists on the Positiva Label

Judy CheeksMarc et ClaudeReel 2 RealB.B.E.Perfect PhaseTriscoQattaraUmbozaDreamcatcherRuffneck Featuring YavahnLasgoShapeshiftersJeremy Healy & AmosFragmaInaya DayBarbara TuckerBrainbugFerry CorstenAmosLagunaPerfect Phase & Those 2BarthezzJenn CunetaCocoVengaboysJeremy Healy&AmosThe OnesBabe InstinctEddy[Love] TattooAlice DeejayDespina VandiLisa Marie Experience2 In A RoomTransformer 2Baby DocReel 2 Real & Mad Stuntman, TheDJ Sakin & FriendsHarry's Afro HutBlack Rock

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Information on the Big Beat Genre

Big beat is a term employed since the mid 1990s by the British music press to describe much of the music by artists such as The Prodigy, Fatboy Slim, The Chemical Brothers, The Crystal Method, and Propellerheads, typically driven by heavy breakbeats and synthesizer-generated loops and patterns in common with established forms of electronic dance music such as techno and acid house.

ig Beat tends to feature distorted, compressed breakbeats at moderate tempos (usually between 120 to 140 beats per minute), acid house style synthesizer lines and heavy loops from 60s and 70s funk, jazz, rock and pop songs. They are often punctuated with punk-style vocals and driven by intense, distorted basslines with conventional pop and techno song structures. Big beat tracks have a sound that include: crescendos, builds, drops, dramatic sound effects such as explosions or sirens and extended drum rolls. As with several other dance genres at the time the use of effects such as cut-off, phasing and flanging was commonplace.

Big Beat is also characterized by a strong psychedelic influence comparable to a wide range of artists from Serge Gainsbourg and Jean-Jacques Perrey to The Beatles and Led Zeppelin to Funkadelic and the Acid House movement of the late 1980s. Celebrated instigators of the genre such as Fatboy Slim tend to feature heavily compressed loud breakbeats in their tracks which are used to define the music as much as any melodic hooks and sampled sounds. Based on the primary use of loud, heavy breakbeats and basslines, Big Beat shares attributes with Jungle and Drum & Bass but it has a significantly slower tempo.

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