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Slam - Positive Education - VC Recordings - Techno

Slam - Positive Education - VC Recordings - Techno
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Track Listing

A Positive Education (Slam Remix)
B Positive Education (Carl Cox Remix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Slam
Title Positive Education
Label VC Recordings
Catalogue VCRTDJ 80
Format Vinyl 12 Inch
Released 2001
Genre Techno

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Other Titles by Slam

Alien Radio (Remixes)Virtuoso (Remixes)Alien RadioAlien Radio (Original & Leftfield Remix)Alien Radio (Paul Daley Mix)Alien Radio (Remixes)Alien Radio (Remixes)Alien Radio (Remixes)Alien Radio (Tony Thomas Mix)Positive EducationSlam Mix SomaThe World I KnowVisions (Remixes)3B4ZeroAlien Radio


Some Other Artists in the Techno Genre

808 StateDJ DanUnderworldThe ProdigyThe ShamenEskimos & EgyptSven VäthThe Chemical BrothersMobyLuke SlaterFormatCarl CoxWestBamDave ClarkeJbsRoel ButzenScotti DeepSubterfugeTony CrooksCristian VogelSapianoKerosene OrbitalDavid RoiseuxBeat In TimeKen IshiMark SummersStacey PullenSound ExcitersTechnomaniaDynamite Bob BrownSubculture (4)DJ Dan & Needle DamageMorpheus Mike DearbornAccess 58LostDonato CapozziUnknown Artist

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Some Other Artists on the VC Recordings Label

Tin Tin OutD*NoteMutinyCamisraThe ShrinkJayn HannaBig Room Girl & Darryl PandyMadison AvenueAmiraBambooUrban SoulTomba ViraTin Tin Out & Shelley NelsonTall PaulBullittNightvisionHeartists, TheShenaNikita WarrenEn-Core KyraMauro PicottoStretch & VernCRWThe HeartistsElateHead RoomBig Room GirlFool BoonaDJ Dado & Michelle WeeksBeat FoundationSantos & SabinoDJ TiëstoEn-Core & Stephen Emmanuel & Eska MtungwaziVisual Sounds InteractiveJunior JackSilicone Soul & Louise Clare MarshallMisledGrant NelsonCandy Girls & Sweet Pussy Pauline

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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