Jill Francis - Make Love To Me - MJR Records - Dub
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Out of Stock |
Track ListingA1 Make Love To MeA2 Don't Believe The Lies B1 Make Love To Me (Gangster Mix) B2 Make Love To Me (Lovers Mix) B3 Make Love To Me (Bass Mix) Media Condition » Very Good Plus (VG+) Sleeve Condition » Generic |
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Artist | Jill Francis | ||
Title | Make Love To Me | ||
Label | MJR Records | ||
Catalogue | GW003T | ||
Format | Vinyl 12 Inch | ||
Released | 1993 | ||
Genre | Dub |
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Sugar Bullet • Tackhead • Beats International • Border Crossing • Majestic 12 • Zeke Manyika • Stock, Aitken & Waterman • Movement 98 • F.A.B. • Monyaka • Oui 3 • Concrete Nation • Goat Dance • The Whitfield Express • Lazyboy • Larry Pee • Unitone Rockers & Black Steel • Intelligent Hoodlum • Platinum Radics & Governor Tiggy • Peace Orchestra • The Maytals • Cashmere • Kieser.Velten • Raz Ohara • Frantic Language • Sly & Robbie • Bomb The Bass & Carlton • Cheshire Cat • DJ Shadow • Yosser's Gang • Bad Street Boy • Faze Action • Walkner.Möstl • Delaney's Rhythm Section • Red Dragon • Carey Johnson • Audioweb • Terranova • Gregory Isaacs • |
Some Other Artists on the MJR Records Label• |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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