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Eskimos & Egypt - Welcome To The Future Part 1 - One Little Indian - Techno

Eskimos & Egypt - Welcome To The Future Part 1 - One Little Indian - Techno
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Track Listing

A Welcome To The Future (Dhax Fyuw4cher) (5:22)
B1 Welcome To The Future (Living Colour) (4:30)
B2 Welcome To The Future (Pleasure Mix) (6:03)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Eskimos & Egypt
Title Welcome To The Future Part 1
Label One Little Indian
Catalogue EEF 94T
Format Coloured Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Eskimos & Egypt

Don't U Do It - REMIXDon't U Do It!Fall From GraceDon't U Do It!Don't U Do It!Fall From Grace (Moby Mixes)GraceGrace / The Power Of G'N'RHomeRise EPState Of Surrender The Cert 'U' EPThe Fall From Grace Tour EPUKUK-USA RemixWelcome To The Future Part 2


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808 StateDJ DanThe ShamenThe ProdigyUnderworldMobySven VäthThe Chemical BrothersDave ClarkeSlamJbsCarl CoxFormatLuke SlaterWestBamKerosene Tony CrooksKen IshiCristian VogelSubculture (4)Roel ButzenOrbitalSound ExcitersStacey PullenBeat In TimeSubterfugeDavid RoiseuxSapianoScotti DeepTechnomaniaDynamite Mark SummersBob BrownA Guy Called GeraldMorpheus DJ Dan & Needle DamageMike DearbornAccess 58LostDonato Capozzi

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Some Other Artists on the One Little Indian Label

BazShamen, TheThe ShamenSoul Family SensationManchildKelli AliBjörkLinda CliffordFinitribeEmiliana TorriniCredit To The NationCorrina JosephSugarcubes, TheManbreakPharmacy AllstarsThe PopinjaysSecret KnowledgeCurtis Lynch JrPopinjays, TheSkunk AnansieCrispin J.Glover And D\\\'MusikCompulsionDJ Flex & Ken NorrisRairbirdsFifth AmendmentCrispin J. GloverSupreme Love GodsL. KageThe SugarcubesOUTCASTBjörkKelli AliHeart Throbs, TheBig Hard Excellent FishSensationChumbawambaChumbawamba & Credit To The NationChumbawamba & DiYShamenFluke

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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