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Liquid Oxygen - I See The Madness / Get On Up And Dance - Champion - Techno

Liquid Oxygen - I See The Madness / Get On Up And Dance - Champion - Techno
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Track Listing

A1 I See The Madness (Bonesbreak Mastermix)
A2 Get On Up And Dance (Liquid Mix)
B1 I See The Madness (The XTC X-Press Mix)
B2 Get On Up And Dance (Frankie Bones Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Liquid Oxygen
Title I See The Madness / Get On Up And Dance
Label Champion
Catalogue CHAMP 12-260
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by Liquid Oxygen

The Planet Dance (Move Ya Body)The Planet Dance (Move Ya Body)The Planet Dance (Move Ya Body)I See The Madness / Get On Up And DanceThe Planet DanceThe Planet Dance (Move Ya Body)The Planet Dance (Move Ya Body)


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Bob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the Champion Label

Kristine WRazeStaxxSybilRoyal HouseSphinxSandy BJ.T. And The Big FamilyDoug LazyTony ScottWhistleHome WreckersEast TownEliteRed Eye The Kartoon KrewRobin S.Dee Dee BraveTodd Terry Project, TheRaze & Lady J & The Secretary Of EntertainmentB-FatsGroove JunkiesJack E MakossaSound Of The UndergroundCorinaRobin SRecall 22Oliver CheathamRomeroJT & The Big FamilyLibra LibraFarleyCarole SylvanPowerhouse Liquid Oxygen/Ray LoveBlak Beat NiksSuzie And The CubansDave StormLegend, TheKelly Charles

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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