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Spring Heel Jack - Lee Perry - Rough Trade - Dub

Spring Heel Jack - Lee Perry - Rough Trade - Dub
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Track Listing

A1 Lee Perry Part 1
A2 Lee Perry Part 3
AA1 Lee Perry Part 2
AA2 Lee Perry Part 4


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Spring Heel Jack
Title Lee Perry
Label Rough Trade
Catalogue R3550
Format Vinyl 12 Inch
Released 1995
Genre Dub

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Other Titles by Spring Heel Jack

Bank Of AmericaCasino Part 1Casino Part 2Casino Part 2Hale-BoppOceolaOceola / Double EdgeCasino (Dj SS Remix)Casino Part 1Hale-BoppHale-BoppOceola / Double EdgeOceola / Double EdgeSuspensions EPVersions


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemSly & RobbieStock, Aitken & WatermanMonyakaOui 3Border CrossingMajestic 12Movement 98Concrete NationLarry PeeMarcella FfrenchPlatinum Radics & Governor TiggyPeace OrchestraF.A.B.G-Flex & The BanditSophie Ellis-BextorThe Knights Of The Occasional TableSkylabNew KingdomBeats InternationalSpeeCarey JohnsonSystem 7MC WildskiRaz OharaTerranovaOosh The ConceptT.C. CurtisB.LowApollo 440Sugar BulletPeaking LightsGoat DanceKieser.VeltenCheshire CatTwo Right WrongansThe Art Of NoiseDJ ShadowRed Dragon

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Some Other Artists on the Rough Trade Label

The WoodentopsMy Jealous GodLevitation Carter The Unstoppable Sex MachineHal Woodentops, TheCornershop & Bubbley KaurSweet JesusScritti PolittiTwo Nice GirlsDelaysBelle & SebastianThe DelaysPierre EtoileMassive SoundsUltramarineDip In The PoolSmiths, TheCabaret VoltaireThe SmithsGalaxie 500Shamen, TheKonkAztec Camera

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.