The Hazardous Dub Company - Real Dub Selection - Hazardous Dub Company, The - Dub
||Out of Stock||
Track ListingA1 Real Dub Selection (Mix1) (9:14)
B1 Real Dub Selection (Mix2) (5:54)
B2 Real Dub Selection - Look Youth Man (4:00)
Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
|Artist||The Hazardous Dub Company|
|Title||Real Dub Selection|
|Label||Hazardous Dub Company, The|
|Format||Vinyl 12 Inch|
Some Other Artists in the Dub Genre• Sly & Robbie • Oui 3 • Majestic 12 • Movement 98 • Gary Clail & On-U Sound System • Stock, Aitken & Waterman • Natural High Productions • Monyaka • Terranova • Oosh • Raz Ohara • The Concept • Apollo 440 • Sugar Bullet • Bitty Mclean • Border Crossing • B.Low • Two Right Wrongans • Goat Dance • Kieser.Velten • Cheshire Cat • Unitone Rockers & Black Steel • Yosser's Gang • Frantic Language • DJ Shadow • Red Dragon • Bad Street Boy • The Whitfield Express • Delaney's Rhythm Section • Cashmere • Kerosene • Spring Heel Jack • Butch Cassidy Sound System, The • Zeke Manyika • Bomb The Bass & Carlton • Concrete Nation • Lazyboy • Faze Action • Sugar Minott & Daddy Speedo • I-Shensound •
Some Other Artists on the Hazardous Dub Company, The Label• Sugar Minott & Daddy Speedo •
Information on the Dub GenreDub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.
Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.