Stock Level:
[ reset ]

Sugar Minott & Daddy Speedo - Change / A Taste Of Love - Hazardous Dub Company, The - Dub

Sugar Minott & Daddy Speedo - Change / A Taste Of Love - Hazardous Dub Company, The - Dub
Price £6.50

Track Listing

A1 Sugar Minott Change
A2 Sugar Minott Change (Version)
B Daddy Speedo A Taste Of Love

Media Condition » Very Good (VG)
Sleeve Condition » Generic
Artist Sugar Minott & Daddy Speedo
Title Change / A Taste Of Love
Label Hazardous Dub Company, The
Catalogue HDC 777
Format Vinyl 12 Inch
Genre Dub

<< Back

Some Other Artists in the Dub Genre

Sly & RobbieGary Clail & On-U Sound SystemStock, Aitken & WatermanOui 3Majestic 12Movement 98KeroseneSpring Heel JackFaze ActionButch Cassidy Sound System, TheZeke ManyikaBomb The Bass & CarltonConcrete NationLazyboyI-ShensoundSmith & MightyDubversiveWalkner.MöstlInternational Pony & StepchildIntelligent HoodlumMarcella FfrenchLarry PeePeace OrchestraJill FrancisPlatinum Radics & Governor TiggyG-Flex & The BanditThe Knights Of The Occasional TableSophie Ellis-BextorNew KingdomSpeeCarey JohnsonRaz OharaNatural High ProductionsMonyakaTerranovaOosh The ConceptB.LowApollo 440Sugar Bullet

More from Dub >>

Some Other Artists on the Hazardous Dub Company, The Label

The Hazardous Dub Company

More from Hazardous Dub Company, The >>

Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.