Sugar Minott & Daddy Speedo - Change / A Taste Of Love - Hazardous Dub Company, The - Dub
Track ListingA1 Sugar Minott Change
A2 Sugar Minott Change (Version)
B Daddy Speedo A Taste Of Love
Media Condition » Very Good (VG)
Sleeve Condition » Generic
|Artist||Sugar Minott & Daddy Speedo|
|Title||Change / A Taste Of Love|
|Label||Hazardous Dub Company, The|
|Format||Vinyl 12 Inch|
Some Other Artists in the Dub Genre• Sly & Robbie • Gary Clail & On-U Sound System • Stock, Aitken & Waterman • Oui 3 • Majestic 12 • Movement 98 • Kerosene • Spring Heel Jack • Faze Action • Butch Cassidy Sound System, The • Zeke Manyika • Bomb The Bass & Carlton • Concrete Nation • Lazyboy • I-Shensound • Smith & Mighty • Dubversive • Walkner.Möstl • International Pony & Stepchild • Intelligent Hoodlum • Marcella Ffrench • Larry Pee • Peace Orchestra • Jill Francis • Platinum Radics & Governor Tiggy • G-Flex & The Bandit • The Knights Of The Occasional Table • Sophie Ellis-Bextor • New Kingdom • Spee • Carey Johnson • Raz Ohara • Natural High Productions • Monyaka • Terranova • Oosh • The Concept • B.Low • Apollo 440 • Sugar Bullet •
Some Other Artists on the Hazardous Dub Company, The Label• The Hazardous Dub Company •
Information on the Dub GenreDub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.
Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.