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Cyclone - A Place Called Bliss - Network Records - Techno

Cyclone - A Place Called Bliss - Network Records - Techno
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Track Listing

A A Place Called Bliss (Last Thursday Mix)
B A Place Called Bliss (Dub Mix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Cyclone
Title A Place Called Bliss
Label Network Records
Catalogue NWKT 14
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by Cyclone

SalobreA Place Called BlissA Place Called BlissA Place Called BlissA Place Called BlissLove & HappinessLove&HappinessSonic Cycology EP (CD)The Sonic Cycology E.P.


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthJbsWestBamFormatLuke SlaterSlamCarl CoxDave ClarkeMark SummersSapianoBob BrownOrbitalDynamite Beat In TimeKerosene SubterfugeRoel ButzenScotti DeepKen IshiSound ExcitersCristian VogelStacey PullenSubculture (4)David RoiseuxTechnomaniaTony CrooksDonato CapozziMorpheus LostDJ Dan & Needle DamageMike DearbornDoi-Oing

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Some Other Artists on the Network Records Label

Altern 8PandellaTrinity, TheReese Project, TheThe Reese ProjectThe Trinity K.W.S.Ronni SimonAdevaVoodoo SuiteParis Grey & Kevin SaundersonKWSMah So-LK.W.S. & Rhythm QuestJohnny Vicious, Satoshi Tomiie & MFSB EnergiseThe Reese Project & BumpVarious - Reese Project Unit 2 Chez DamierRhythim Is Rhythim & Reese & SantonioTrammps, TheRhythm QuestThe Reese Project & Funky Green DogsRhythim is RhythimJohnny Vicious & MFSB & Johnny Vicious & Satoshi TomiieRhythmaticModel 500Love RevolutionTrue Faith10th Planet, TheRhythim Is Rhythim & Derrick May & MaydayTrue Faith & Rhythm On The LooseMURKForgemastersThe Groove CorporationCritical RhythmRhythim Is Rhythim & Reese&SantonioMy Friend SamBeverlei BrownNeal HowardNu Groove LP

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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