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The Concept - Mr. D.J. - 4th & Broadway - Dub

The Concept - Mr. D.J. - 4th & Broadway - Dub
Price £4.50

Track Listing

A Mr. D.J. (Vocal) (5:06)
B Mr. D.J. (Instrumental) (5:25)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist The Concept
Title Mr. D.J.
Label 4th & Broadway
Catalogue 12 BRW 40
Format Vinyl 12 Inch
Released 1985
Genre Dub

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Other Titles by The Concept

Mr. D.J.

Some Other Artists in the Dub Genre

Sly & RobbieGary Clail & On-U Sound SystemStock, Aitken & WatermanOui 3Majestic 12Movement 98I-ShensoundIntelligent HoodlumSmith & MightyDubversiveWalkner.MöstlInternational Pony & StepchildLarry PeeMarcella FfrenchPlatinum Radics & Governor TiggyPeace OrchestraG-Flex & The BanditSophie Ellis-BextorThe Knights Of The Occasional TableNew KingdomSpeeCarey JohnsonRaz OharaNatural High ProductionsMonyakaTerranovaOosh Sugar Minott & Daddy SpeedoBorder CrossingB.LowApollo 440Sugar BulletBitty McleanGoat DanceKieser.VeltenCheshire CatTwo Right WrongansDJ ShadowRed DragonUnitone Rockers & Black Steel

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Some Other Artists on the 4th & Broadway Label

DON-EWill DowningDream WarriorsMica ParisFreak Power49ersStereo MC'sAlex ReeceAct Of FaithTrouble FunkMark SummersLaquanKenyattaDodge City ProductionsMillie ScottBoo-Yaa T.R.I.B.E.Tone LocSteinski&Mass MediaCashmereDavid GrantSprinklerPaul RutherfordDave AngelBy All MeansDhar BraxtonCriminal Element OrchestraX-ClanFloor Federation & Disco SlutsVertical HoldSkatemaster TateSkipworth&TurnerJocelyn BrownBomb The BassDrizaboneMiles JayeDef JefChris PaulJaniceBeatsystemMachine Orchestra

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.