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Inner City - Hiatus - 6 x 6 Records - US Techno

Inner City - Hiatus - 6 x 6 Records - US Techno
Price £6.50

Track Listing

A1 Hiatus (Nail Vocal Mix)
A2 Hiatus (Nail Dub Mix)
B1 Hiatus (Kenny Larkin's Strike Mix)
C1 Hiatus (C-Mix Vocal Mix)
D1 Hiatus (C-Mix Dub Mix)
D2 Hiatus (Kevin Saunderson's Original Mix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Inner City
Title Hiatus
Label 6 x 6 Records
Catalogue SIXT DD 128
Format Vinyl Double 12 Inch
Released 1995
Genre US Techno

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Other Titles by Inner City

Ain't Nobody BetterWhatcha Gonna Do With My Lovin'Do You Love What You Feel?Good Life (Buena Vida)Till We Meet Again (Remixes)(That Man) He's All MineAin't Nobody Better (Remixes)Buena Vida - The First PartDo Me RightDo Me RightDo Me RightDo YaDo Ya (The 021 Versions)Limited EditionSwingin / Do Me Right


Some Other Artists in the US Techno Genre

MobyModel 500SysexReese Project, TheNeedle DamageParis Grey & Kevin SaundersonRYUDave ClarkeHard HatsOne On OneRhythmaticMacalusoPlaylandMateo MurphyExit 100DJ DanMario PiùBlow Monkeys, TheDJ RushAphroheadAdam XMarkeyThis Is WarR+S ProjectLeftfieldTech-Master 3KeynotesJMD 2Sharon Dee Clarkecv313Satoshi TomiieMike WadeDJ Steve LeeDJ Marcello & Derrick MaySunrise SocietyTwilight BG Prince Of RapSlamFreq777

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Some Other Artists on the 6 x 6 Records Label

Slo MoshunLoleatta Holloway6 By SixGroove CorporationMotherSurrealMadagascarSmooth TouchDonald OGlamRenee SilversCool JackGroove Corporation & Bim ShermanAndrew Pearce & Urban Sound GalleryAndrew Pearce vs. Reese Project, TheSasha & John DigweedTerrence ParkerRhythm On The LooseAndrew Pearce & Reese Project, TheDave Seaman & Ian Ossia

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Data from the Discogs music database. Submit a Release.