Format:
Genre:
Year:
Stock Level:
Keywords:
[ reset ]

The Robert Cray Band - Bad Influence - Demon Records - Blues

The Robert Cray Band - Bad Influence - Demon Records - Blues
Out of Stock

Track Listing

A1 Phone Booth (3:32)
A2 Bad Influence (2:56)
A3 The Grinder (4:09)
A4 Got To Make A Comeback (5:52)
A5 So Many Woman, So Little Time (4:01)
B1 Where Do I Go From Here (4:03)
B2 Waiting For The Tide To Turn (3:31)
B3 March On (2:25)
B4 Don't Touch Me (3:25)
B5 No Big Deal (4:14)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist The Robert Cray Band
Title Bad Influence
Label Demon Records
Catalogue FIEND 23
Format Vinyl Album
Released 1984
Genre Blues

<< Back

Other Titles by The Robert Cray Band

Acting This WayI Guess I Showed HerI Guess I Showed HerDon't Be Afraid Of The DarkFalse AccusationsWho's Been Talkin'


Some Other Artists in the Blues Genre

B.B. KingGary MooreWillie And The Poor BoysLonnie MackBillie HolidayPete SeegerPaul Roberts (4)Sonny Terry & Brownie McGheeDoug MacLeodRandy WestonStevie Ray Vaughan & Double TroubleThe Milcho Leviev QuartetSister Rosetta Tharpe & The Gospel Tabernacle Choir And PlayersChris ReaMighty Joe YoungRobert CrayAlbert Collins And The IcebreakersAlbert Collins & Robert Cray & Johnny CopelandBig Brother & The Holding CompanyBen E. KingBuddy GuyElmore JamesThe Blues BrothersCreedence Clearwater RevivalJuicy LucyAnnette PeacockAlbert KingJohnny MarsLittle MiltonLarry McCrayRobert Cray Band, TheJohn Lee HookerJ.J. Cale

More from Blues >>

Some Other Artists on the Demon Records Label

Lamont DozierMen They Couldn't Hang, TheThe PersuasionsGraham ParkerElvis Costello And The Attractions*Ian Dury And The BlockheadsThat Petrol Emotion

More from Demon Records >>

Information on the Blues Genre

Blues is the name given to both a musical form and a music genre that originated in African-American communities of primarily the Deep South of the United States at the end of the 19th century from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues, and rock and roll, is characterized by specific chord progressions, of which the twelve-bar blues chord progression is the most common. The blue notes that, for expressive purposes are sung or played flattened or gradually bent (minor 3rd to major 3rd) in relation to the pitch of the major scale, are also an important part of the sound.

The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, Jump and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience. In the 1960s and 1970s, a hybrid form called blues-rock evolved.

The term "the blues" refers to the "blue devils", meaning melancholy and sadness; an early use of the term in this sense is found in George Colman's one-act farce Blue Devils (1798). Though the use of the phrase in African-American music may be older, it has been attested to since 1912, when Hart Wand's "Dallas Blues" became the first copyrighted blues composition. In lyrics the phrase is often used to describe a depressed mood.

Data from the Discogs music database. Submit a Release.