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Moby - Move - The Mixes - Mute - Techno

Moby - Move - The Mixes - Mute - Techno
Price £5.50

Track Listing

A1 Move (You Make Me Feel So Good) (6:29)
A2 Move (MK Blades Mix) (6:15)
AA1 Move (Sub Version) (6:16)
AA2 Move (Xtra Mix) (6:45)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Moby
Title Move - The Mixes
Label Mute
Catalogue L12 MUTE 158
Format Vinyl 12 Inch
Released 1993
Genre Techno

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Other Titles by Moby

Into The Blue (Junior Vasquez Remixes)Move - The MixesBodyrock (Remix)Everyday It's 1989 / The StarsEverytime You Touch MeEverytime You Touch MeHoneyHoney (Remixes)Hymn.Alt.Quiet.VersionIn This World (Remixed)In This World (Remixed)In This World (Remixes)In This World - (DISC 1 ONLY)Into The BlueInto The Blue


Some Other Artists in the Techno Genre

808 StateDJ DanThe ShamenThe ProdigyUnderworldSven VäthThe Chemical BrothersEskimos & EgyptSlamLuke SlaterJbsDave ClarkeWestBamFormatCarl CoxBob BrownMark SummersDynamite OrbitalScotti DeepStacey PullenKerosene Beat In TimeCristian VogelSubculture (4)SubterfugeTechnomaniaTony CrooksKen IshiDavid RoiseuxSound ExcitersSapianoRoel ButzenMike DearbornDJ Dan & Needle DamageA Guy Called GeraldAccess 58Morpheus LostDonato Capozzi

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Some Other Artists on the Mute Label

ErasureLuke SlaterRenegade SoundwaveYazooDepeche ModeFortran 5PeachSlick SixtyBarry AdamsonWirAdd N To (X)He SaidAssembly, TheMark StewartDepeche Mode Photo BookFortran 5 & Larry GrahamNitzer EbbMoby & Deborah HarryHoodwinkDesiyaMoby & Moby & KelisGoldfrappLaibachLiaisons DangereusesFad GadgetInspiral CarpetsThe AssemblyDave Gahan

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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