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808 State - Cübik / Olympic - ZTT - Techno

808 State - Cübik / Olympic - ZTT - Techno
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Track Listing

A1 Cübik (Original Mix) (3:32)
A2 Cübik (Pan Am Mix) (4:56)
AA1 Olympic (Euro Bass Mix) (5:44)
AA2 Olympic (Flutey Mix) (4:07)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist 808 State
Title Cübik / Olympic
Label ZTT
Catalogue ZANG 5T
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by 808 State

10 x 10Cübik / OlympicThe Extended Pleasure Of Dance EPTimebomb10 x 10BombadinBombadinBombadinCübik / OlympicGorgeousIn Yer FaceIn Yer Face Facially Yours Remix , Leo LeoInsane Lover / FreakLet Yourself Go / DeepvilleLift / Open Your Mind


Some Other Artists in the Techno Genre

DJ DanThe ProdigyThe ShamenUnderworldSven VäthThe Chemical BrothersEskimos & EgyptMobyDave ClarkeLuke SlaterJbsSlamFormatCarl CoxWestBamBob BrownMark SummersDynamite Scotti DeepOrbitalStacey PullenKerosene Beat In TimeCristian VogelSubculture (4)SubterfugeTechnomaniaTony CrooksKen IshiDavid RoiseuxSound ExcitersSapianoRoel ButzenMike DearbornDJ Dan & Needle DamageA Guy Called GeraldAccess 58Morpheus LostDonato Capozzi

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Some Other Artists on the ZTT Label

Frankie Goes To HollywoodSealThe Art Of NoiseMC Tunes & 808 StateMC TunesSexusShades Of RhythmRhythm Inc.MC Tunes vs 808 StateLeilaniPublic DemandTom JonesNovecentoAdamski's ThingAll Saints 1.9.7.5.HonkyDoveDavid's Daughters808 State & BjörkNasty Rox Inc.L.a.z.y.Max PropagandaArt Of Noise, TheRhythm Inc. & Nevada Sun Electric & Inga HumpeAndrew PoppyShane MacGowan And The Popes808 State & BjorkHoodlum PriestGrace JonesHeights Of AbrahamFlood, TheTara808 State & UB40

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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